Colour

I am learning a lot from the stitch journal. I don’t often stitch on plain white fabric, preferring generally to use layered, hand-dyed bases. I understand colour theory, of course, and I know about the different effects that colours can have on their neighbours, but the stitch journal has enabled me to have a better understanding of how this works. The stitch journal is more about line, whereas in my usual work I focus more on shape.

This set of green silk threads is from Airedale Yarns and when it first arrived I took one look at the bright emerald green and thought that was a colour I would probably never use. Too bright, too shiny, too ‘green’ (if there can possibly be such a thing). I like the more muted shades.

Regency silk palette ‘Baroque’

When you stitch a fine line on a white background, however, the colour becomes something quite different. It completely loses its in-your-face greenness and sits quite happily alongside the hand-dyed silk threads on today’s journal block. It becomes a bit more subdued against the white, which I really like.

Bright shiny emerald green in between lines of couched silk perle no. 3

My stitch journal is already very green, I know. What can I say? I like green. I even like the bright shiny emerald green as well now. What I love most about working with colour is how perfectly it can express a feeling or state of mind, without the need for a single word. I have probably used too many words here, but it continually amazes me how much more there is to learn, even after 40+ years of needlework.

Author: Karen

Textile and mixed media artist

5 thoughts on “Colour”

  1. yikes … I would have shied away from that intense green, but your willingness to go with it was well-rewarded … thank you, always I am learning in my blog travels (even as my stitching years are nearing 60)

    1. Exactly, yes – it is SO bright, and more synthetic a colour than I would normally choose, but somehow a tiny bit of it on white is just fine. Amazing really. Every day a school day 😄

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