Zero waste collage tags

Firstly: I’m delighted to report that the biodegradable nitrile gloves have completely solved the problem. I’d expected to lose some dexterity with gloves on, but if you get the correct size they fit really well and you hardly notice them.

So hurrah for that.

If you’ve ever ordered any tangible items from my Big Cartel shop, you’ll probably have received one of my hand-painted thank you tags.

very simple watercolour tags

Stocks of these are running a bit low, as you can see. Instead of cutting into new sheets of watercolour paper I thought I’d use up a collection of cartridge paper/card offcuts that weren’t suitable for taking paint but were fine for collage.

Using the painted paper offcuts from last week’s sketchbook collage fest, plus a few more colourful tiny scraps, I’ve used almost every last bit of everything. It’s very satisfying to create something out of what we might call nothing – though everything is something – and hardly anything going in the bin or recycling.

Collage on this scale is very easy, and a simple process. Mini-landscapes at their most basic are just horizontal strips of colour, and they can look very effective with some straightforward mark-making or stamping. I used a corner rounder punch to shape the tops.

hand-painted/collaged thank you tags

I haven’t counted them but there’s possibly a couple of hundred here, enough to keep us all in thank you tags for a while yet.

And finally, while I had all the collage supplies out on the table: I’m taking part again in the annual Postcard Art Exhibit, held this year in the Netherlands in June and raising money for people affected by Alzheimer’s. There’s still plenty of time if you want to contribute a 5″ x 7″ artwork to be sold for this year’s charity. Go to https://www.postcardartexhibit.com before mid-March to register.

‘When you were there’ – 5″ x 7″ mixed media collage with found poetry

Winter: studio time

So far my plans for smarter working this year are going well, and I’ve found a little time here and there for some creative play. I’m not entirely comfortable calling it ‘studio time’ because I don’t have a studio and also I’m not ‘an artist’ in the establishment sense of the word. Middle-aged woman tearing up paper in the spare bedroom doesn’t really sound all that engaging though.

I guess we are all artists, in our own way.

I’ve been working on (playing with) collaging the pages of an old 6″ x 8″ notebook, using my own painted papers. You learn how to do this in my Painted Collage Paper and Mark-Making course, by the way. A little self-promotion there from my Marketing Manager (that’s me).

painted/printed collage papers

I’m intending a celebration of winter in this sketchbook. If you’ve been with me a while, you’ll know it’s my favourite season, and January is my favourite month. It’s cold, it’s still dark, it’s grey, it’s quiet, and nothing much happens, and all of that suits me perfectly. And we’re half way through it already. It’s ok, I like spring too.

inside front cover

For now all I’ve done is cover the pages with printed/painted papers. I’ll go back in to each page with either more paint, mark-making, more collage, or some text.

winter sketchbook, collaged pages

I’m really enjoying the muted colour palette.

collaged printed/painted papers
sketchbook pages

There is, however, a slightly perplexing problem. I appear to have developed contact dermatitis, but only this week, and only on my right hand. Since I’ve been handling paper with both hands, my prime suspect is the acrylic medium I’ve used to stick the papers down. It seems odd to suddenly develop an allergy to something you’ve been using for years, but I can’t think what else it could be. I’ll try some (biodegradable) gloves and see if that solves the problem.

sketchbook page

Wearing gloves is probably sensible in any case when working with paints and inks.

sketchbook page with coordinating tags

It’s been a good few months since I made time for activities like this, and I realise how important and restorative it is. I’m being very strict about my working hours (no social media at weekends, no working beyond 5pm, and a weekly half-day for creative exploring).

So far so good. Wish me luck with the gloves!

Problem solving

I was a little disappointed to find that my new backpack doesn’t have a designated pen holder section. Lots of other very useful zipped pockets, but no pen pocket. And as someone who always has a pen about them, this was a bit of a problem.

Easy enough to fix, as it turned out.

DIY pen holder

A piece of mount board cut to fit the zipped section, covered with collage papers, a band of elastic stitched down across the middle and there it is. It fits into a zipped pocket perfectly and keeps pens and other drawing equipment nicely accessible.

pens in pocket

Problem solved. Hope your week is going well.

And back again

After a few days in lovely Rosedale, North Yorkshire, I’m about ready to get back to work. We walked many miles in clean air, had lots of good food, and stayed in a quiet B & B with a garden shared with a barn owl, tawny owl and pipistrelle bats.

Of course there was time for a little on-location sketching and painting too.

Chimney Bank, Rosedale
Heather and fields beyond

The colour palette at this time of year is beautiful.

Rosedale, summer colours

I do like a dry stone wall.

dry stone wall, North Yorkshire

We came across a stone cross on the moors, originally marking a barrow, I think. It had some really interesting marks carved into it:

marks carved into a stone cross

It had to be done in collage and stitch when we got home:

sketchbook page, collaged stone cross
stitched sample, black cotton thread on eco-printed cotton
mark making with stitch

I have more images and colours to explore from the photos I took, and I’m looking forward to getting on with that this week.

sketchbook page, image size 2″ x 3″
acrylic ink sketch, heather moorland
sketchbook page, ink, pencil and pastel

It’s amazing how refreshing a few days away from it all can be. A bit of time and space to find yourself again.

The shop is open for fabrics, threads, daily stitching templates and collage papers, and you can find my online courses here for daily stitching, hand stitching, and mixed media sketchbook classes.

Monochrome

Recently I wondered what a monochromatic mixed media sketchbook might look like, containing explorations of line and shape but exclusively using tone instead of colour. I figured there was only one way to find out.

black and white sketchbook

I’ve made a sketchbook, about 10″ square, including black and white papers of various thicknesses and textures. It had to have a cover, of course:

sketchbook, front cover
sketchbook, back cover

I’ve painted some collage papers using only black and white paints and inks.

painted collage papers

Early days, but so far it’s interesting. The absence of colour is making me consider tonal value much more carefully and consciously than I usually would.

black and white sketchbook

The paper you can see in the photo above is very unusual and really beautiful. It has some sort of fibre or yarn embedded in mulberry paper to form those circles.

lovely paper

I included some of my favourite Two Rivers watercolour paper and only used Mars Black watercolour with details in fine drawing pen.

landscape in one shade of black

Most of the other pages are still in progress, and I’ll probably move backwards and forwards between them.

mark-making and hand-printed paper

I guess some things really are black and white or shades of grey.

sketchbook page

Painted Collage Paper and Mark-Making

A little excitement for a Saturday morning: my new course, painted collage paper and mark-making, is out now.

new Teachable course out now

There’s lots to explore, from choosing, preparing and painting papers to making your own stamps and stencils, some simple hand-printing techniques, and lots of ideas for using your hand-painted papers.

all this and more

Special early bird price until the end of March, so be quick if you’re interested. You don’t need to enter a code, the special price of £30 is already set at the checkout.

simple mark-making

Classes are pre-recorded, so you can learn at your own pace. You can download the videos to watch later, and you get lifetime access – watch as many times as you like. Enrol before the end of March to take advantage of the Early Bird price.

exploring supplies

This course is designed to follow on from my Make a Simple Sketchbook course, but there’s no obligation to enrol on both.

make your own stamps and stencils

All you need for the basics of Painted Collage Paper is some paper, some paint, a little time, and a gentle spirit of adventure.

zero-waste paper techniques

I hope you enjoy it as much as I did.

And as if that’s not enough excitement for one day, I have some even more exciting news, which I will share when I can. Watch this space 🙂

Wishing you a wonderful weekend.

YouTube

It’s a whole new adventure, and I’m not quite sure how or why it happened, but I appear to have set up my own YouTube channel.

My channel home page on YouTube

I’m in the process of uploading my Instagram short videos, and yesterday I made a video on starting a new sketchbook, which you can see here.

This one is a little square (ish) concertina folded sketchbook, with seven pages each side, which I’ve filled with collaged illustrations and found poetry cut from an old anthology.

I’ve made it in preparation for a forthcoming course in my Teachable school on making your own sketchbooks (yes?), and very enjoyable it’s been too.

I really like the way these simple folded sketchbooks become circular, where the end is also the beginning, so I’ve created this one on the theme of day and night revolving around each other.

If you saw the beginning of this little book, here’s how it turned out (ignore all the paint on my fingers, it’ll come off eventually):

mixed media sketchbook with found poetry

The text comes from various early twentieth-century poems and I’ve just cut out and rearranged the lines and phrases to create new poems.

Day and Night title page
Day, pages 2 & 3
Day, pages 4 & 5
Day, pages 6 & 7
Night, title page
Night, pages 2 &3
Night, pages 4 & 5
Night, pages 6 & 7

Returning to the subject of YouTube, I’ll be keeping teaching and online courses on Teachable but I don’t mind sharing occasional processes and techniques on my YouTube channel.

So my next question is, what would you like to see?

Zero waste collage

Rounding up all the scraps of painted paper in a quest to Do Something Useful with them. I’ve been cutting and pasting into an 11″ square sketchbook, and very therapeutic it is too.

From this…

random scraps

to this…

sorted scraps

to this…

mini paintings cut from painted collage papers, approximately 2″ square
mini paintings cut from collage papers, approximately 2″ square
mini paintings from painted collage papers, approximately 2.5″ square
approximately 2″ x 4″
same as above

Quietly having a good time. Comments are off for now, to preserve the quiet.

Flowers

In my last post I mentioned the online course I was doing with Suzanne Allard, and that bright florals weren’t really my thing. Figurative painting – as in proper ‘doing a painting’ of an object, like an artist – isn’t really my thing either, for that matter. I’m usually happier with needle and thread and abstract marks.

And then I said to myself, who doesn’t like flowers? I had a go at some flowers with collage, which I find more approachable than painting. What I like about collage is that you can take some shapes and colours and move them around on the page before committing to anything permanent.

collaged flowers, mixed media

Like I said, flowers aren’t my thing, bright colours aren’t my thing, etc etc. And what do you know, I quite like it.

flower collage, mixed media

What are sketchbooks for if not to try stuff and have some fun?

I had a little go at painting leaves with a watercolour sword brush. Definitely need more practice with that, but it’s a really lovely brush.

watercolour with sword brush

And I really like the way the scrap of paper forming the centre of one of these flowers just happens to have the word ‘blooming’ on it.

blooming

My desk is looking a little chaotic, but I am having some serious fun here.

paper everywhere
watercolour with Faber Castell Pitt pen

If you’ve ordered threads and/or fabrics (thank you), they’re on their way. Rummaging in the stationery cupboard, walking to the post office, and playing in a sketchbook or three have brought me to a very happy place indeed this week.

Time Present

Recently I’ve been able to make a start on some new work, and the process of this modest beginning has been a truly joyful thing. I hadn’t realised how much I’ve been needing to do this.

current sketchbooks

So far, it’s about time, experience and memory. I’m beginning with the opening lines from T S Eliot’s Four Quartets as inspiration:

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.

What a vast line that is: All time is unredeemable. It’s irreversible and we can never get it back. The only time we can be sure of is time past, present in memory only.

The sketchbook I’m using for the wet media is a Fabriano aquarelle A4 sketchbook, 200gsm pages (no affiliation). Just firm enough for taking wet paint but not so stiff that the pages don’t bend.

Of course it had to have a cover:

watercolour sketchbook front cover
back cover (and I prefer the back…)

And some details from its pages:

sketchbook page, oil pastel resist with watercolour and ink
white acrylic ink as resist with watercolour wash over the top

new stitched work in progress

Mostly I’ve been exploring using watercolour, ink and collage. The above layered stitched work in progress is based on this paper collage:

collage, untitled

I’ve been doing very loose sketchbook work, which is a great thing. I like the way it can be more a physical than cerebral process. I like to paint standing up rather than sitting because it somehow enables you to inhabit the process more, and to move around over the page more easily. It seems to generate and capture more energy. Drawing and painting can involve your whole arm as well as your hand, making expressive abstract marks and laying down whatever colours speak to you in that moment.

These are four separate sketches (unintentionally four quartets, perhaps), using inks, watercolours, and basic mark-making techniques, with no preconceived ideas about where it’s headed or what it’s going to be. Not my usual colour palette, but each one valuable in its own way, and time well spent. Even if you make something you don’t like much, it’s always worthwhile because you learn something. I think all of these might translate to cloth and stitch.

watercolour and ink over masking fluid resist

Also some calmer blocks and stripes, just to see.

watercolour greens
time past, time present, time future

It’s exciting to see these colours, shapes and compositions emerging. It may or may not lead somewhere, but for now it’s enough in itself. I have much more to read, and more blank sketchbook pages to fill, and it’s utterly delicious.