Making connections

I’ve been having a go at designing next year’s stitch journal template. A bit early to be thinking about that, I know, but the way this year is speeding by I thought it best to make a start.

It will be slightly different from the last two years, in that next year’s daily stitching will be a big square (ish) rather than a long strip. I’ve designed it across twelve pieces of A4 paper that all have to fit together to make the whole thing, so it’s a reasonably complex task that is still very much in progress. I’m imagining that it’s a map of the coming year, in the form of an aerial view of fields.

I *think* it will work. I have yet to print it, to try cutting and re-assembling the separate pieces for myself, but once I’ve done that I’ll aim to make the template available before the end of the year.

As I was looking at all twelve pages glued together to make the 36″ square, I found myself imagining how it would look in fabric as patchwork.

These things often start out as idle wonderings but sometimes they gather momentum while you’re looking the other way and before you know it, you’re cutting out tiny bits of green fabric and the thing has begun.

patchwork shapes

The thing about English paper piecing (piecing fabric over paper) is that you can do it with any tessellating shapes, however irregular they might be, and I had a whole tableful of tessellating shapes waiting to be something.

I took a photo of the master template and added colour on Procreate, a digital drawing app. I envisage this as fields through the seasons, so the outer edges will be greys and browns, while the central area will be more vibrant greens and golds. That’s the plan so far, but the best thing to know about plans is that they can change completely at any moment.

patchwork in progress

I used to do a lot of patchwork, and it’s still one of my favourite things. I love the way it holds the connections between fabrics, time, and memory. I can identify every fabric here as the old friend each of them is – some from clothes that wore out; some from an old bed sheet that became a dust sheet and was later torn up and dyed; some vintage fabrics, found and dyed.

birdie is slightly startled by the sudden change of plan
progress so far, about one-sixth of the whole

What started out as a map for next year has gone sideways into a whole new adventure.

It will still be a stitch journal template as well, but what fun to make two different things out of the same design.

Magic pen

I’ve had a few enquiries recently about the templates that I’m using for my 2023 Intuitive Daily Stitching, and I’m in the process of gathering together some grids and motifs into a new PDF.

Windows for March, circles for April

My linen/cotton cloth is too thick to trace directly from a paper template, so I’ve had to find alternative ways to transfer the lines and marks. I usually use a window as a light box, taping template and cloth to the glass while I transfer the shapes with a pen. I also wondered about using this iron-on transfer pen, which I’ve had for a few months and hadn’t got round to trying.

I tried it on this leaf template – (I’m planning to use this one in October – nice idea, yes? – I’m seeing red and gold falling leaves). Unaccountably, I really didn’t expect the pen to work at all. But look! I did a little squeal. I used the pen to trace around the shape on the blank side (the back of the paper template – if you print on thin paper you can just see the print on the other side of the page), placed the drawing over a scrap of linen and touched an iron (on silk setting) to the paper, and hey presto. Instant, and very easy.

Sulky iron-on transfer pen

The pen says it’s permanent, which I’m assuming means it won’t wash off, and that of course means that I will need to cover the lines with a stitched outline. But since I usually do that anyway, that’s no great problem.

Isn’t it great when a gadget works as it should? Tell me what time/labour-saving sewing tool you like to use.

Spots of Time

I’m aiming to use a different template for each month this year, just to see how that works. February is pebble-shaped ‘spots of time’, a phrase from Wordsworth’s long poem The Prelude.

1st and 2nd February 2023

From Wordsworth’s text:

‘There are in our existence spots of time,
That with distinct pre-eminence retain
A renovating virtue, whence…
…our minds
Are nourished and invisibly repaired’

William Wordsworth, The Prelude (1850), Book 12, ll.208-15
3rd/4th/5th February 2023

Spots of time in this context are visual representations of time and memory, a spotlight on a few moments of life, that can hold peace and bring renovation. Time, experience and memory are really all we have. That’s our life. With the passing of time, experience becomes memory.

4th and 5th

A few stitches on a cloth is a few footsteps on a path. We may not know how long the path is or where it goes, but along the way there will be these little dots of peace and joy.

I really like the fact that this is one single layer, and that the back is accessible. I’m not so sure how that will work when the whole thing is folded concertina-style into a book, when the back will then be hidden under the folds.

The other side

The cloth is starting to soften very nicely. It’s just like getting to know a new friend.

The beginning

Of course I’m doing it again.

Preparing a strip of vintage linen/cotton bed sheet

I’m using the same fabric as last year: vintage metis (linen/cotton blend) bed sheet, about 13” wide by about 100” long. I’ve hemmed the long edges, just by turning an inch or so under, giving a finished width of about 11”. I’ve given it a quick dip in some tea just to knock back the whiteness, which gives me the option to use white thread some days.

This year I’m using a slightly different format. Instead of one long continuous scroll, I’ll fold the strip concertina-style to form twelve separate pages so that the finished thing will look like a book.

In book form

I’m trying different templates this year too, just to see how it looks. Some pages will be circles, some will be rows or columns, some blocks will have spaces between. Haven’t quite thought this through, but the process is supposed to be intuitive, so I don’t want to over-plan.

Trying different layouts for each month

I’ve begun with some very simple stitches. I’ve marked out this month’s grid but haven’t yet completed the outlines – I may do that as I go along, I’ll see how it goes. There are no rules.

A blue beginning
The back, showing the hemmed edge

From today I am no longer employed, so this marks the start of a new way of life for me and an adventure. I’m looking forward to having more time this year to focus on my own work, to set up some online classes, dye more thread and fabrics, create some embroidery patterns and templates – and maybe a few more things besides.

Lines

I’ve been very happy to know that so many people are planning to start their own daily stitch practice. I find it very restorative to reserve a few minutes a day for some quiet time with fabric and thread. Just a few stitches, just to see what happens.

I also like seeing time mapped out like this. A calendar has the same function, of course, but somehow this has more impact for me.

January

Here’s to all new beginnings.

Digital files

There has not been much textiles work here apart from the stitch journal, which is keeping me sane and centred.

Stitch journal with templates in progress

I am spinning a few plates at the moment, two of which are intangible. I’m continuing to find my way round Procreate, the digital drawing app, and am really getting to like it.

Design for my RedBubble shop, inspired by a 1938 Paul Klee painting ‘Dancing from Fright’

This design takes figures from Paul Klee’s painting ’Dancing from Fright’, which I think is an intriguing title in itself. And slightly funny, though of course there’s nothing funny about being frightened. I like to think these little dancing figures are happy rather than afraid.

I’m also impressed by RedBubble itself – they have photos of what your design will look like on various products. I like this one:

Notebook in my RedBubble shop

I’ve now had my first sales, which is encouraging. Slowly but steadily I’m trying to get myself to the point where I can spend more time focusing on my creative work. Ideally I want to get to a point where I no longer need the day job.

The other intangible product of the week is a PDF file, which can be purchased from my online shop. It contains the monthly templates for my stitch journal, plus some notes about how you can use some very simple stitches to create interesting effects. Special introductory price until 31st July, after which the price will be increased.

PDF available from my online shop, page link in the menu bar

I’ve really enjoyed creating the PDF, and I hope it will encourage others to start something similar. Daily stitching by hand can be mindful and restorative, and allows for time to be still and quiet. And I think we all need a bit of that.

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