Where does the time go?
A few moments of each day are here, of course, memorialised in thread.
There was some chain stitch that became a crossroads.
One month to go, and this year will be sewn up. I can see the end of the cloth.
November
Month: November 2022
The other side
A few people have asked to see the back of the stitch journal.
I hardly ever stitch on just one layer of fabric, being a bit of a quilter at heart, and I wondered at the start of the year how robust a single layer of stitched fabric would be. Surprisingly robust, is the answer. The layer of thread, through added stitch, becomes integral to the fabric, and the resulting cloth feels almost like a thin quilt.
I also wondered how difficult it would be to maintain even tension on a single layer without using a frame or hoop. Likewise, it’s been surprisingly easy. Some of the circular stitches have ended up with a little raised bump in the centre, because my tension was a bit off, but some days are like that and I don’t mind the imperfections.
You can see some of the thread ends, but I tend to weave most of them in, and I tend to bury most of the ends in the whipped running stitch borders.
There are some minor snarl-ups and accidental knots on the back, but that doesn’t matter to me. Most of us carry knots and tangles in the side we don’t show to the world, and I like the honesty of having all the ends visible. As every maths teacher says, ‘show your working’ and the back of the cloth traces the paths I’ve taken more clearly than the more orderly front. If this had been a two-layered cloth, I would have buried all the thread ends neatly between the layers and none of this would have been visible.
Some days I actually prefer the back, as with this green day in the centre:
And the front of the same day:
Most of my stitches are very simple variations on running stitch so the back often doesn’t look that much different from the front, apart from being slightly untidier. Tidy can be over-rated, I think, and we all have a mess hidden in the cupboard that no one is allowed to look in.
I don’t mind referring to the other side as ‘the back’ but I won’t call it ‘the wrong side’. The front couldn’t exist without the back, and vice versa. Neither of them is right or wrong. I think of each side as a self and shadow self, where one helps to illuminate and complete the other. Two sides of the same cloth, of course.
A little loopy
I thought I’d invented a pretty loop stitch the other day, but apparently it already exists.
It’s basically pekinese stitch but with the thread looped around running stitches rather than back stitches.
The long cloth in the video and below has been in progress for a while, just somewhere to collect stray stitches and orphan fabric scraps when I remember to catch them.
Tree in a bird
Every so often our feather duster sheds one of its lovely ostrich plumes.
I’m currently working on the traveller’s blanket and thought, like a womble, waste not want not and all that. A quick trim of the feather and it kind of looks a bit tree-ish doesn’t it?
In ordinary circumstances of course an ostrich is going to need a lot of help if it’s got any hope of getting into a tree, but here in my creative little world where (nearly) all things are possible, here we are:
Just adding to the story collection really.
Doesn’t it just make your heart sing when something like this happens?
Just looking
The definition of good morning: a cup of hot black coffee, a cloth in progress, and a little collection of fabrics ready for their auditions.
These are non-competitive auditions because they will all win in the end. I really like just looking at fabrics – although it’s never just looking, is it, because I have to pick them all up and touch them as well. It’s just seeing with hands, I suppose.
The Traveller’s Blanket is turning into a short story collection. I’ve found it quite challenging to adopt someone else’s technique while making it look like my own work. Dijanne makes these cloths so beautifully and I didn’t want to produce an imitation. I imagine it’s a bit like doing a cover version of a very well-known song.
It’s a good opportunity to include some treasure, like this silk velvet, eco-dyed by Arlee
And this beautiful eco-print from Jane Hunter
No straight/square edges happening here.
And then a few vignettes are happening here and there:
Now that a few fabrics have been applied, the cloth is stable enough to work on without support from the table. Eventually there will be some kind of quilting or seeding in between the motifs, but I think that point is still some way off. In the meantime it can carry on keeping my knees warm while I stitch in the evenings.