I’ll be taking a break soon so my online shop will close at lunchtime GMT (ish) on Wednesday 25th February and will reopen week commencing 9th March.
Teachable doesn’t seem to have a vacation mode, so that will remain open and accessible for online classes and PDF template downloads. If you need to contact me and it can’t wait a couple of weeks, please be patient because I won’t be checking emails every day.
There will probably be a daily stitching video on my YouTube channel tomorrow but after that I’m largely unplugging from social media for a week or so.
I’ll be having some quiet time at home, maybe working a bit on these:
Tabula Rasa, detailTabula Rasa, detailunnamed quilt, in progress
I’m taking a break now for a week or two, to enjoy some rest and quiet reflective time.
daily stitching in progress
My shop is now closed for tangible items (thread and fabric scraps) but remains open for daily stitching templates. If you have a problem with a PDF download, then please do get in touch but please be patient as I will not be checking emails every day. My Teachable School also remains open and accessible throughout the festivities.
I’m preparing next year’s daily stitching by covering the grid lines, and it’s starting to look very inviting.
2026 preparations in progress
I’ll be back some time around new year with my completed stitching for 2025 and to begin again with 2026. It amazes me every new year’s eve how today turns into next year at the toll of a bell and an entire twelve months is suddenly behind us. Our human understanding of time is a strange thing.
Thank you for travelling through 2025 with me; I couldn’t make a living doing what I love without your kind support. Wishing you all the joy and peace of the season, and I’ll look forward to continuing next year.
I’ve been making a new planner for next year, trying to encourage myself to be more organised. Last year’s planner got more use than I expected, so I’ll keep it up through 2026.
Handmade book in progress
I use a cardboard template to draw each week-to-view page, and I stuck a bit of old ribbon to the spine to act as a bookmark.
2026 planner
I cheated with the cover and just changed the 5 to a 6
2026 planner cover
No need to reinvent the wheel or create extra work for myself.
It was a good opportunity to review this year’s goals, the ones I made in January:
2025 goals, made in the naive optimism of January
Well, let’s see how I did.
Don’t work at weekends: Fail. Pretty epic fail, in fact.
Don’t work past 7pm: ditto
Take 4 weeks holiday: Actually I almost made this one. Including the 10 days holiday I WILL take later this month, that will amount to about three and a half weeks for the year. Nearly.
Wednesday afternoons are for CPD (that’s a throwback from my corporate days, Continuing Professional Development) which essentially means throwing some paint/ink/thread around in order to learn something new: Managed that maybe a dozen times over the year at the most. Nowhere near enough.
End of year report: Must try harder!
On the plus side, I’m fairly sure I might win the annual Employee of the Year award. Only because my boss (that’s me) only has one of us to choose from (also me).
Next year I intend to make more use of my neglected YouTube channel, and I may well do more of what I’ve done today – daily stitching in real time, with running commentary.
I have a few other goals in mind (as well as repeating those above that I didn’t quite get the hang of) which I’ll share in due course.
For now, I’m starting to wind down and will be officially on holiday from 17th December until about 29th-ish. I’ll be back next week with my last post before the festivities, and in the meantime I hope all your preparations for Christmas and beyond are going well.
I have given myself too much to do, as usual. It started as an experiment to see whether I could produce enough hand-dyed thread to sustain a stand at Knit and Stitch in Harrogate next year. It was an idle thought, which I have tested and unfortunately found wanting. The crucial points I hadn’t factored in are that I only have one pair of hands, and there are only twenty-four hours in a day. I haven’t completely given up on the idea, but it will involve a little more rigorous planning and pacing if it’s going to work.
Hey ho. More thread for the shop, then, in the meantime.
There’s a big pile of hanks awaiting winding into skeins:
cotton and silk thread ready for winding
There’s a growing pile of threads that have been wound into skeins and are waiting for labels:
threads awaiting labelling
Apologies for the light, by the way – my north-facing room doesn’t get any sun, and the view from my window is mostly trees. Definitely not complaining about any of that, but the light is decidedly blueish at my desk at this time of year.
And finally there’s a smaller pile of threads being labelled:
labelled thread skeins
These are ‘spares’ that will go into Randoms, which will be in the shop (I hope) some time next month. I’m trialling a new labelling system which so far is working quite well. The swing tags get a bit cumbersome in a set of threads, and it can be fiddly to get them all to lie flat when packaging them for posting. These are smaller and flatter and I hope might work a bit better. I sourced some plastic-free sellotape so the labels and tape will be compostable.
I estimate there’s probably another hundred hours or so of winding/labelling/sorting into groups, so this will keep me busy for another couple of weeks at least.
I’ll be back at the end of the month with October’s daily stitching.
I was a little disappointed to find that my new backpack doesn’t have a designated pen holder section. Lots of other very useful zipped pockets, but no pen pocket. And as someone who always has a pen about them, this was a bit of a problem.
Easy enough to fix, as it turned out.
DIY pen holder
A piece of mount board cut to fit the zipped section, covered with collage papers, a band of elastic stitched down across the middle and there it is. It fits into a zipped pocket perfectly and keeps pens and other drawing equipment nicely accessible.
Thank you so much to my wonderful US customers for your recent orders; parcels are winging their way to you and hopefully – keeping all fingers and toes crossed – they should arrive in the US before August 29th. The Royal Mail target for international tracked mail is 5-7 working days, so we should be ok unless there’s some kind of international air disaster, but let’s try not to think about that.
I had intended to suspend all further US orders from Wednesday, but I’ve decided to bring that forward to today. The dates are causing me too much anxiety, and all I can think about is what if international post gets delayed and you all get hit with an $80 charge. It’s unlikely, but I’d prefer to play this as safe as I can, so today is my last day for posting to you. I’m sorry if you’ve missed out; do contact me if you have any questions.
In the meantime, US customers can still support me by taking my online classes – the White House machine isn’t tariffing digital products (yet!)
On to happier things. When I can, I’m continuing to work on this long cloth, Tabula Rasa.
Tabula Rasa, in progress
It’s about 6″ wide and several feet long. Part autobiography, part therapy, part self portrait. Lots of sheer and semi-sheer layers, with stitching beneath and on top of the surface.
Tabula Rasa, in progress
It’s rare for me to make something I like, or something I feel proud of, but this is it, happening right here. It’s a joyous feeling.
Tabula Rasa, in progress
It’s also rare for me to use a limited colour palette in such a sustained way, but I’m finding that I like that too.
Tabula Rasa, in progress
Progress is slow, because there are Many Other Things I need to attend to right now (more on that later) (and it’s nowhere near as exciting or intriguing as I’m making it sound!) But a few quiet moments on this cloth in between the general busyness is proving to be very calming and grounding.
I’m so sad to be losing my lovely US community. I hope the day we can reconnect through tangible thread is not too far away.
Bad news for my US customers, I’m afraid, and bad news for me too.
The White House has issued an executive order that suspends the de minimis duty-free exemption for low-value items entering the US. Previously, any goods worth less than $800 were exempt from additional tariffs and charges, avoiding Customs altogether.
From 29th August, US customers will now pay a tariff on all international items, regardless of the value. Currently the tariff for goods from the UK is 10%, but the Executive Order (section 3) states that anything shipped through the international post system will be subject to a duty equal to the tariff rate applied to that country (10%) AND/OR a specific duty ranging from $80 to $200 per package.
I have no control over what happens to your package once it leaves me, but it sounds as if every US purchase from me will be subject to these new rules from 29th of this month.
I would suggest that if you’re in the US and you think you might want to order some of my threads and/or fabrics, then now would be a good time. The new rules apply to anything arrivingafter 29th August, so as long as your parcel arrives before then, everything should remain as it currently is and parcels with a value of under $800 should just go through the system without issue. I always send overseas orders via international tracked post, which normally takes a week or two to reach the US. Unfortunately I can’t guarantee that any order placed now will arrive before then, but in normal circumstances it probably would.
Of course all of the above only applies to physical goods; digital products like my PDF templatesand online courses (for now!) are unaffected.
I am sorry to be the bearer of such unhappy news, and I want to say an enormous thank you to my dear US customers (and many of you have become friends) for your valued support over the last few years. Let’s hope the current tariff/cost situation changes some time…
I’ve been busy producing this over the last couple of days:
hand-dyed threads and fabrics
It will take me a while to sort and wind the thread, as each skein has to be made by hand on this rather Heath Robinson contraption:
Patent thread winder
It’s basically an upended chair with a yarn swift fixed onto the seat, from which I can unwind a skein from the hank onto a niddy noddy (and the autocorrect wanted to change that to giddy body, which made me laugh). A niddy noddy is a hand-held frame that allows you to wind a set number of yards of thread into a skein. A somewhat ridiculous name, in my view, for a very useful gadget.
In the meantime, the shop is open for the remains of the last batch of threads and fabrics. A few announcements:
The global price of silk and cotton has completely sky rocketed and I have no choice but to increase my prices when the new batch is listed. I’ve managed to keep prices the same for a couple of years now so an increase is probably overdue. The existing threads in the shop are still at the old prices, so last chance to buy at this price.
Silk perle 3, extra-fine silk, and extra-fine cotton will all be discontinued when current stocks have gone. Silk boucle is currently under consideration but if I can no longer buy it at a reasonable price then that may well be up for the chop too. I haven’t dyed any more silk boucle in this batch, so what’s in the shop is all there is for now.
SLLD and SLLU fabric packs will be discontinued when current stocks are exhausted. Commercial fabrics have increased in price as well, and I have to buy the fabrics for these packs at retail prices because I don’t have the means to store wholesale quantities. I’ll continue to offer general fabric scraps packs when I can, and these will probably have broadly similar content to the SLLD packs.
I am sorry that I am currently unable to post items to Northern Ireland or Europe.
fabrics for ironing and sorting into packs
I don’t know how long it will take to get these fabrics and threads processed, but I would estimate they could be ready somewhere towards the end of the month.
Have a wonderful weekend while I attempt to find a way up the thread mountain. The colour-coded tags that you can see in the picture, by the way, are knitting markers and they’re there to tell me what kind of thread it is. It can be hard to tell what’s what when it comes out a different colour but these make it easy to see at a glance.
thread mountain
PS – If you haven’t got your Making Zen ticket yet (you’ll need it if you want to access the free extras from me and 31 amazing artists at the end of May), then you can get it here:
Apologies for a housekeeping post today that is big on words and small on pictures.
I’m decreasing my online presence, mainly to reduce and streamline the number of places I need to manage.
I am keeping my accounts on Teachable (for online teaching), Big Cartel (for threads, fabrics and PDFs), and the website/blog (here) for general progress reports and updates.
homes
I’m currently in the process of moving away from Meta. I’ll be deleting my Facebook page shortly, along with Threads (on Instagram). I’ve issued an invitation to members of my Facebook group (Stitching Life Community) to see if anyone would like to take on the admin role so that the group can stay open. I’m not particularly optimistic that anyone will want to take it on, so I’m prepared for the possibility that the group will close as well. Other slow stitch/hand embroidery/textiles groups are available, of course. At some point I will also move away from Instagram.
I’ve set up a new account on Blue Sky for quick posts and pictures of daily stitching etc, so if you’re already there do come and say hello.
I did say a few weeks ago that 2025 would be the year of less. I hadn’t entirely foreseen this, but I do feel a little more comfortable about being in fewer places at once.
Not the everyday stress kind, but the tension in stitching. I’ve had a few messages recently from stitchers asking what kind of hoop or embroidery frame I use. If you’ve been here a while, you’ll know that I hardly ever use one at all.
I have a variety of frames, from the tubular/modular plastic kind to the traditional round wooden hoops, and I don’t get on with any of them well enough to use them regularly. I also don’t do ‘proper’ formal embroidery very often, the kind that needs stretching and framing. If I did, then I’d have to learn to stitch in a hoop more consistently.
If I do have to use a hoop, I prefer square/rectangular frames like these by Nurge (no affiliation, I just like them):
rectangular embroidery frames
I prefer these because I never understand why most embroidery hoops are circular when the grain of fabric is square. With a round hoop, there’s always a danger of overstretching the bias into the frame and distorting the fabric.
Here are some of the reasons I don’t like using a hoop, and these of course are my personal preferences, not in any way an instruction not to use a hoop. Most stitchers seem to like them.
I don’t like the way you can only see a little section of the work when using a hoop. I like to see the bigger picture throughout. I find it hard to stay connected to the whole cloth when I can only see and handle a bit of it at a time
I don’t like the way the fabric is stretched taut (and I know you don’t have to have it drum tight). I prefer to feel the weight of the cloth in my hands as I stitch
I don’t like the way the edge of the frame crushes previous stitches when you move on to another area. If you’re working on something very textural or layered, it’s sometimes too bulky to fit in the hoop comfortably
Unless you have a hands-free frame on a stand (and they come with their own separate issues, in my experience), you have to reserve one hand for holding the frame and it becomes cumbersome
You can’t easily see what’s happening on the back of the work without turning the whole thing upside down
For informal embroidery, or general hand stitching like the daily stitch journal, I find it’s very easy to manage the tension without a hoop. Half the battle is having the right fabric: if your fabric is too lightweight or slippery, then (probably) hello Mr and Mrs Pucker. But then sometimes you might enjoy that effect, where the stitches pull slightly too tight and cause undulating ripples across the surface. If you’re working on medium weight cotton or linen, then it’s fairly easy to maintain an even tension.
stitching circles
Circles are probably the trickiest thing to stitch without a hoop, because it’s very easy to pull the thread fractionally too tight, and that will cause puckering. General good practice is to support the work on a table (sit upright, it’s good for your posture) so that you can hold the bit you’re working on as if your hands were the hoop. The rest of the cloth just relaxes on the table.
circles in progress
If you work slowly, you can check as you go that the fabric isn’t pulling under the stitches. You can use a thumb to press each stitch into the cloth, which also helps to check the tension. I sometimes get irate messages on Instagram saying ‘get your thumb out of the way, I can’t see the stitch’. The thumb is an essential piece of equipment if you don’t use a hoop. With practice, you can feel when the tension is right.
