Preparing for 2026: new Daily Stitching Templates

Halfway through November seems a bit early to be thinking about next year, but really it’s only a few weeks away. I thought now would probably be a good enough time to share my plans for 2026 daily stitching.

2026 templates are now available

Next year I’m returning to the large square format, only because I happened to have a piece of vintage Metis (linen/cotton blend) that is almost exactly the right size and shape for twelve templates in a 4 x 3 configuration (4 columns, 3 rows). I’m also returning to a more linear grid, really just for a change. The last two years have been templates with irregular/wavy lines, and this year the grid lines are straight. No better or worse, just different. If you purchase the PDF, the twelve separate monthly templates are rectangular, so will tessellate either as a long strip (sideways or lengthways) or as a large square(ish) panel like mine. Or indeed as separate pages that you can join together later.

As always, the monthly templates are hand-drawn so the grid is not perfectly regular; some blocks are slightly wider or longer, and there are a few elongated or smaller blocks to accommodate the variation in the number of days in each month.

I worked a practice panel first, just to see. I’ve made it into a simple fold-over clutch bag to keep next year’s daily stitching in.

practice piece

The simple grid comes with a dozen or so shapes that you can cut out and stick to card, and you can then use them to draw round. This is how I’ve made the circles, hearts, leaf, triangle, star and house shapes in the example above.

optional extras

Of course you can make up your own grid and/or shapes as well, whatever has meaning for you.

triangle tree in feather stitch

Here’s the back of the clutch-bag-case-carry thing, for an idea of how it might look:

sampler, back

One of the reasons I’m releasing the template earlier than new year is that you might want to do the same kind of preparation that I’m doing. I’m couching decorative yarns along all the gridlines so that the spaces are ready to fill each day, either with stitching or with a shape template.

preparing the grid lines

If you don’t have decorative yarns then you can work whipped running stitch, stem stitch, split stitch, back stitch – or any other kind of outlining stitch, just to mark in the lines. I’ve drawn the lines on my linen with a standard ballpoint pen, which doesn’t show once you’ve covered it with yarn or stitch.

Seeing a whole future year laid out like this is always intriguing. The days look like blank spaces, ready to be filled – some with joy, some with sorrow, others with tragedy or celebration. But of course time isn’t out there waiting for us. We are time, here and now as well as then and when, and our time is recorded on a cloth with needle and thread as it passes.

looking ahead

I’m really looking forward to working with this template, even though time isn’t square and time doesn’t run in straight lines. I’m thinking of each space as looking through a viewfinder, finding a detail in the bigger picture.

If you’re interested enough to follow along and stitch your own, you can buy my daily stitching templates here. You don’t have to use the 2026 template, by the way; any of the templates will work for any year – though if you use the 2024 one, you’ll need to smoosh two blocks together because that was a leap year so has an extra day. All the others will work fairly flexibly.

If you’re new to daily stitching, you might like to take a look at my Intuitive Daily Stitching online course here.

I’m looking forward to a little more happy stitching; I hope you are too.

Making Zen workshop

Just a quick fly-through to remind you that my free Making Zen workshop is available for 24 hours today. Depending on your time zone, you may need to wait for it to become available.

Making Zen workshop

If you want to watch this (and the other 30+ workshops) in your own time, and if you want access to the inspirational artist free gifts, then you’ll need to upgrade to the VIP pass, which you can do here. It’s absolutely worth having, if you can – the value of the free gifts alone is over $3,300, and you get ongoing access to everything.

Making Zen workshop

For transparency, upgrading to the VIP pass from the links on this page allows me to receive a small commission (at no extra cost to you) that helps to support my work as an independent artist.

Thank you, and enjoy!

Making Zen retreat

If you’ve got the free ticket, the Making Zen retreat starts today!

With the free ticket, my workshop will be available for 24 hours tomorrow (Tuesday 27th May), so don’t miss it 🙂

My zero waste stitching workshop for Making Zen

If you have the VIP pass, then you can watch the workshops whenever and however often you like, AND you get access to all the very generous free gifts on offer from the participating artists.

If you enjoy my Making Zen workshop, then you might like to develop these ideas and skills further with my online course, Stitched Samples for Sketchbooks, which you can find here.

Stitched Samples for Sketchbooks
Stitched Samples for Sketchbooks

And if you’re still waiting for thread – the wait is almost over, I promise. I decided it made sense to hang back until after the bank holiday weekend, since I can’t post anything until after then anyway.

Enjoy Making Zen!

Making Zen: 5-day event for mindful makers

Bright and early on a Monday morning, and here’s the first of my two Big Newses I’ve been waiting to share: I’m delighted to be hosting a workshop on the fabulous Making Zen online stitching retreat, happening from 26th May, and you can get your free ticket here:

Making Zen is much more than just another free event. It’s an opportunity to slow down, tune out the noise, and reconnect with your inner artist. If you’re looking for a quiet pocket of time to make something with those delicious scraps of fabric and threads, then here’s an invitation to somewhere special.

It’s called the Making Zen Online Retreat, and it’s five soul-soothing days (26–30 May 2025) hosted by Kate Ward of Zen Stitching, where 32 (!) makers, artists, and creators share an invitation to slow down, reconnect with your creativity, and rediscover the joy of making with your hands.

You’ll discover:

  • How to turn your scraps and remnants into stunning art (and peace of mind)
  • Cultural traditions in art to explore
  • Why listening to your gut might be the most creative move you make

And I’m delighted to be there too, sharing my session on zero waste stitching.

If you’ve already purchased the course, the Making Zen workshop will still be of value. In addition to the workshops there are free gifts and exclusive extras, plus you get to join over thirty other workshops from some incredible artists including Jody Alexander, Ann Smith, Mirjam Gielen, and many more.

And the best thing about all of this is that – yes! – it’s 100% free to attend.
No strings, no catch. Just art, peace, and a community of makers who understand the value of quiet, mindful making.

I’ll look forward to seeing you there, with an open mind and hands full of thread.

For transparency, you will see that this email contains a few links to the Making Zen ticket. These are affiliate links, which means if you later decide to upgrade to the VIP Pass, I’ll receive a small commission (at no extra cost to you) and you’ll be helping to support my work as an independent artist. Thank you so much for signing up – there’s so much to enjoy here.

And PS – for anyone looking for information on pricing (for the VIP pass) here are the prices:

Fast action – $67 for first hour after signing up

Early bird – $97 until event begins

Regular – $147 until the end of the event.

Stitched samples for sketchbooks

Good news! My new course is about ready, I think. It can be hard to tell when these things are done because you get so immersed in the process of making, videoing, editing (and re-editing) that it can be difficult to be objective about it in the end.

Stitched Samples for Sketchbooks is all about turning your fabric scraps (and other odds and ends) into something beautiful, useful, and inspirational.

I’m probably primarily a textile artist, but I spend a lot of time working (or playing) in mixed media sketchbooks to explore different themes, colour palettes, textures and different ways of stitching. Most of that happens behind the scenes, but it’s essential groundwork for whatever I happen to be working on at any one time.

This course shows you how I go about preparing and adding stitched samples to my sketchbooks.

scraps

By layering your scraps and adding some simple stitching you can create unique little samples that you can add to your sketchbook, or indeed turn into any piece of decorative work.

getting started

There is layering, stitching, painting, sketchbook work, and more.

painting backgrounds

As always, you can watch the preview for free before you commit to anything, and you get lifetime access to all lessons. You can download the videos, watch as many times as you like, and learn at your own pace.

working with layers

I had lots of fun putting this one together, and I’ve made some interesting samples for my own sketchbooks too.

preparing samples

Hope you enjoy it as much as I did!

And stay tuned for some exciting news coming next week…

March 2025

I don’t pass the time, the time passes me. Every day I watch it go, picking up speed as it hurtles further away.

March 2025

There were daffodils for St David’s Day, and a row of dancing women for International Women’s Day.

March 2025, detail

There was a bouquet for Mother’s Day (here in the UK it’s the fourth Sunday in Lent).

Mother’s Day flowers

There was equal day and night for the Spring Equinox.

March 2025, detail

Some of these days are tutorials on my YouTube channel here.

shamrocks for St Patrick’s Day

Today we have blue skies.

The other side is a reflection of sorts.

the other side of March

Three months gone. A quarter of the year behind us.

First quarter

A reminder that this is the last day for the Early Bird price on my Make a Simple Sketchbook course and my Painted Collage Papers course. Courses are pre-recorded; you get lifetime access; you can download lessons or watch online as often as you like; learn entirely at your own pace.

April is going to be very busy – there is a lot going on, which I will share when I can.

Painted Collage Paper and Mark-Making

A little excitement for a Saturday morning: my new course, painted collage paper and mark-making, is out now.

new Teachable course out now

There’s lots to explore, from choosing, preparing and painting papers to making your own stamps and stencils, some simple hand-printing techniques, and lots of ideas for using your hand-painted papers.

all this and more

Special early bird price until the end of March, so be quick if you’re interested. You don’t need to enter a code, the special price of £30 is already set at the checkout.

simple mark-making

Classes are pre-recorded, so you can learn at your own pace. You can download the videos to watch later, and you get lifetime access – watch as many times as you like. Enrol before the end of March to take advantage of the Early Bird price.

exploring supplies

This course is designed to follow on from my Make a Simple Sketchbook course, but there’s no obligation to enrol on both.

make your own stamps and stencils

All you need for the basics of Painted Collage Paper is some paper, some paint, a little time, and a gentle spirit of adventure.

zero-waste paper techniques

I hope you enjoy it as much as I did.

And as if that’s not enough excitement for one day, I have some even more exciting news, which I will share when I can. Watch this space 🙂

Wishing you a wonderful weekend.

Make your own Sketchbook

My new mini-course on Teachable is now available here

Make your own Sketchbook course

Three very simple sketchbooks to make, plus lots of ideas and techniques on preparing and filling the pages with paint, collage, and simple mark-making.

My preference is always for making my own sketchbook rather than simply buying one. I often think bought sketchbooks have more pages than I can comfortably fill, and they also tend to get too full once you start sticking extra papers or stitched samples in them. If you make your own book, you can limit the number of pages from the beginning so that it’s not completely bursting at the seams when you’ve filled it.

The first book, the basic concertina/accordion fold book, is very simple – some might think simplistic, or a bit too simple – but I think it’s one of the most versatile fun little things you can create.

sample of concertina books

The zine-fold book – also very simple – is equally versatile, and offers lots of possibilities for some quick explorations.

zine-fold sketchbook

The third book in this little mini-course is a single signature stitched book with a wrap-around cover with integral pockets.

single signature sketchbook with painted pages (step-by-step tutorials for this)

You get to see lots of pages from my own sketchbooks, and you get some collage paper to print and download, plus some tag templates and some poetry lines to cut up and re-assemble.

see lots of my sketchbook pages

Special Early Bird price of £25.00, which will rise to £30.00 from 1st April. You don’t need to enter a code; just buy before the end of March for the lower price. It’s all pre-recorded, so you can start any time, download the lessons, watch as many times as you want for as long as you want. No time limits, no deadlines, just learn at your own pace.

It’s primarily aimed at beginners, but I’d like to think there’s something for most mixed media enthusiasts here.

Tools and supplies

This is the first in a series of short mixed media courses. Up next (and still working on it – for which read, ‘haven’t really started it yet’) will be paint your own collage papers plus mark-making tools and techniques for mixed media sketchbooks. That title might need some work, but I’m having lots of fun here this week. I hope you are too.

On tension

Not the everyday stress kind, but the tension in stitching. I’ve had a few messages recently from stitchers asking what kind of hoop or embroidery frame I use. If you’ve been here a while, you’ll know that I hardly ever use one at all.

I have a variety of frames, from the tubular/modular plastic kind to the traditional round wooden hoops, and I don’t get on with any of them well enough to use them regularly. I also don’t do ‘proper’ formal embroidery very often, the kind that needs stretching and framing. If I did, then I’d have to learn to stitch in a hoop more consistently.

If I do have to use a hoop, I prefer square/rectangular frames like these by Nurge (no affiliation, I just like them):

rectangular embroidery frames

I prefer these because I never understand why most embroidery hoops are circular when the grain of fabric is square. With a round hoop, there’s always a danger of overstretching the bias into the frame and distorting the fabric.

Here are some of the reasons I don’t like using a hoop, and these of course are my personal preferences, not in any way an instruction not to use a hoop. Most stitchers seem to like them.

  1. I don’t like the way you can only see a little section of the work when using a hoop. I like to see the bigger picture throughout. I find it hard to stay connected to the whole cloth when I can only see and handle a bit of it at a time
  2. I don’t like the way the fabric is stretched taut (and I know you don’t have to have it drum tight). I prefer to feel the weight of the cloth in my hands as I stitch
  3. I don’t like the way the edge of the frame crushes previous stitches when you move on to another area. If you’re working on something very textural or layered, it’s sometimes too bulky to fit in the hoop comfortably
  4. Unless you have a hands-free frame on a stand (and they come with their own separate issues, in my experience), you have to reserve one hand for holding the frame and it becomes cumbersome
  5. You can’t easily see what’s happening on the back of the work without turning the whole thing upside down

For informal embroidery, or general hand stitching like the daily stitch journal, I find it’s very easy to manage the tension without a hoop. Half the battle is having the right fabric: if your fabric is too lightweight or slippery, then (probably) hello Mr and Mrs Pucker. But then sometimes you might enjoy that effect, where the stitches pull slightly too tight and cause undulating ripples across the surface. If you’re working on medium weight cotton or linen, then it’s fairly easy to maintain an even tension.

stitching circles

Circles are probably the trickiest thing to stitch without a hoop, because it’s very easy to pull the thread fractionally too tight, and that will cause puckering. General good practice is to support the work on a table (sit upright, it’s good for your posture) so that you can hold the bit you’re working on as if your hands were the hoop. The rest of the cloth just relaxes on the table.

circles in progress

If you work slowly, you can check as you go that the fabric isn’t pulling under the stitches. You can use a thumb to press each stitch into the cloth, which also helps to check the tension. I sometimes get irate messages on Instagram saying ‘get your thumb out of the way, I can’t see the stitch’. The thumb is an essential piece of equipment if you don’t use a hoop. With practice, you can feel when the tension is right.

14th January daily stitching

There’s a section on managing the tension in my Intuitive Daily Stitching course, which might be helpful to beginners.

So there we are. How many of you prefer to use a hoop?

December 2024

Memories of days past

The last day of December and the 2024 stitch journal is complete. A map of my year.

2024 stitch journal, 31″ x 30″, hand-dyed threads on vintage linen

366 days, 366 blocks, a few simple stitches marking the passing of each day.

Looking back

Days of different shapes and sizes, different colours and textures. Minutes, hours, and days that fill a life.

early 2024

This is what I mean by Stitching Life. It’s verb, noun, not adjective, noun. Stitching my life, to be more precise.

2024, detail

Every month seems to pass in a blur, however much you try to slow it down. December has been no different.

December days

I like the way this cloth displays its memories in a non-linear sequence. Because of the way I laid out the monthly blocks, the month directly above December is May, and I like the way memories of the summer sit next to the winter days. November sits underneath June, early winter sharing an improbable border with midsummer. But the flowers of summer became seeds that sleep in the winter earth, ready to wake up and grow again in the spring.

days like fields

I guess stitches are seeds too.

2024, detail

The stitched area measures about 31″ square. The fabric is the French cotton/linen bed sheet that I used last year and the year before. Next year (tomorrow!) will be the last of it.

looking back

Its function is to be a visual depiction of time passing. It’s also a mini-reference library, showing the effects you can create with a small range of very simple stitches.

It will rest in the cover that I made for it earlier in the year.

stitch journal storage
it’s a wrap

It feels right to put the year away like this, on New Year’s Eve.

And away

Ready to continue tomorrow.

hello 2025

Not starting again, just continuing. That’s what we do every day, all our lives.

Next year will be long and thin, only because that’s the shape and size of the last strip of bed sheet. If you want to try something similar, there’s a stitch journal FAQ page here on my blog. There’s also my Intuitive Daily Stitching course with instructions on how to work and combine a range of simple but effective stitches. I also show you how to choose suitable fabrics, threads and needles for your daily stitching. The course is prerecorded so you can learn at your own pace, and comes with lifetime access so you can watch as many times as you like. You can find my daily stitching templates here, or of course you can design your own.

simple stitches

Tomorrow, we go on. Wishing you a happy and peaceful 2025.