Tag: art quilt

Quilter-couching

You probably know couching is one of my favourite techniques, and I’m currently conducting an experiment to see how effectively couching might substitute for quilting.

I don’t often get as much time as I’d like for my own work but I’ve been squeezing in an hour here and there on this little quilt that began in June 2024 as a heap of little patches that needed stitching together.

Quilt in progress

It’s hand-pieced, from lots of vintage and contemporary scraps – past and present sitting side by side, as they do in life – and most of the stitching is either couching or very simple embroidery.

Mostly couching

The whole thing measures about a square yard or so.

The red circle is about 10 inches in diameter and began as lines of straight stitch. That didn’t give a prominent enough amount of colour, so I’ve threaded the straight stitches with a fine wool yarn.

Threaded straight stitch

The vertical lines are still very much in progress, and there are lots more still to do. I’m couching a fine silk bourette yarn with quilting cotton thread, and that seems to be holding the layers together pretty well. The backing is lightweight calico and the batting is Hobbs wool.

Quilter-couching lines in progress

It’s all very much a work in progress. This little quilt has had many false starts and many unpickings in the two years of its construction, but I think it seems happier now and we’ll keep going until we get to wherever it is.

Patchwork ready for quilter-couching

In other news – I’ll be taking some time out next week, so the shop will be closed temporarily for a few days while I attend to other things. Please be patient if you need to get in touch as I may not be checking emails every day.

From ‘In Which Rabbit has a busy day and We Learn What Christopher Robin Does in the Mornings’ by A. A. Milne, illustration by E. H. Shepard

Studio time

My new year’s resolution to work smarter seems to be going well, and for the first time in years I find that I do in fact have some time for my own work as well as the business.

I did a little more on the winter sketchbook. It may be early spring, and the snowdrops are looking beautiful, but the weather is decidedly behind the curve so I feel justified in clinging to glorious cold winter for as long as I can.

winter sketchbook page with found poetry lines
winter sketchbook page
winter sketchbook page, mixed media collage
winter sketchbook page, handmade paper collage

I’m also trying to be a bit more organised about what goes where. My Ikea drawers are very slightly short of A4 size in the width, so I made some custom trays out of mount board and they fit nicely, two per drawer.

mark-making tools, rounded up and contained

The sides are covered with 2″ wide washi tape that I found hiding in another drawer. I should probably line the boxes to make them prettier but for now I’m happy enough with functional.

stencils and collagraphs all neat and tidy

And finally, I’ve resurrected a patchwork quilt top that’s had quite a few false starts.

quilt, take three or four

I had a look at it, wasn’t happy with it, and decided to unpick everything and start again. I wanted a fairly big circle on the surface and didn’t have a yarn that was anything like what I had in mind.

I’ve ended up stringing lots of thin threads together to create something like what I wanted. It’s a very fine silk noil yarn that dyed beautifully but is no good for stitching with – breaks too easily, too nobbly – but a few strands together are couching down quite nicely.

couching a bunch of fine threads

I’m wondering if maybe the whole thing will be couched rather than quilted. Always an adventure.

Hope your week is going well.

Green

Probably my favourite colour, which is just as well because this is all very green indeed. Curiously, my camera doesn’t seem to like it and refuses to accurately render the colours. I can only say it’s much nicer in real life. Textiles are notoriously difficult to photograph in any case because of the way they hold and reflect light.

I’m starting to add some hedgerows between the fields, with silk boucle and various textured yarns. Just couching along the seams. I tried a few colonial and French knots but had to unpick most of them. You wouldn’t see that much detail from that high up, I don’t think.

As usual, simpler is better, and the textured yarns seem to be holding the lines ok on their own.

box of luscious textures with Valdani perle 12 threads

I’ve layered the patchwork over a piece of brushed cotton (cotton flannel) and backed it with an old hand-dyed cotton tablecloth, with the outer edges turned in over the mid layer so that the irregular edges of the patchwork will sit on the surface. Technically it’s a quilt, having three layers, but the brushed cotton is less dimensional than wadding (batting).

on the edge

I’m finding it difficult to get myself motivated at present, with the house move looming (though we still have no dates yet), so stitching hedgerows is quite a nice soothing activity for these uncertain days.

patchwork fields

Letting go

My social media break so far is very productive. I have more time and rather more energy already. I’ve been able to take a little step back and review some past work, which I’ve listed in my shop here.

I had a few 4″ textile collages left over from my 100 days of winter venture a couple of years ago, which I’ve turned into square greetings cards.

textile art cards

I’ve also uncovered some work from 2020-21, one of which is called Letting Go. I don’t have any particular attachment to my completed work, since most of the enjoyment is in the making of it. Also I don’t have much storage space and I will very quickly run out of room if I hang on to too much. I prefer to let the cloths fly out into the world and find themselves a new home; it feels as if that keeps the energy moving.

older works now available

And the rest of this week will be painting. Alas, this kind of painting:

not the kind of painting I really want to be doing, but necessary

Time travelling

And a very warm welcome, firstly, to new subscribers – thank you so much for joining us here. If you’re looking for a quiet restful space, where nothing much happens except some hand stitching and gentle reflection, then you’re probably in the right place.

On the subject of which, I do enjoy my quiet Sunday mornings. At weekends my husband likes a long lie-in, and I don’t. I’m generally wide awake and out of bed the second I wake up, usually driven downstairs by hunger. I have the metabolism of a hamster and need frequent refuelling. Once the need for breakfast has been met, the rest of the morning is my own and I can stitch away in my workroom until lunch time. I call it a workroom – actually it’s the spare bedroom. Maybe I should go all Proper Artist and call it a studio.

Continuing on the Winter Time Traveller’s quilt

This quilt, originally a (Time) Traveller’s Blanket as part of an online class with Dijanne, has become a celebration of winter, my favourite season, and maybe it will be finished in time for next winter. It certainly isn’t anywhere near done at the moment. The top and back are hand-dyed silk noil, with some soft flannel (brushed cotton) as the middle layer.

This little tree is an experiment in making branches with blanket stitch and so far I like it. I’m using hand-dyed cotton perle size 12 thread, on a scrap of hand-dyed Swiss cotton fabric applied to the quilt top. I really like the way the woven dots in the fabric look like snow.

Little tree, in progress

The rest of it seems enormous, but it’s only about a metre square.

Very much still in progress; hand stitch on applied fabric scraps

I’ve added a layer of sheer fabric to some of the patches. This one is simple embroidered tree pictograms on hand-dyed silk organza, and then I’ve layered a piece of painted dotted tulle over the top. It’s impossible to photograph, but in real life the dots create little shadows on the organza beneath.

Painted tulle layered over embroidered silk organza

I always think this multi-layering is one of winter’s best gifts. It’s the season that most brings time to reflect, to look beneath the surface, to embrace the shadows, to see in the dark. To see through the dark too, because it doesn’t last long. It will be spring before we know it, and if you’re on the other side of the world it’s already summer. If that isn’t time travel, I don’t know what is.

Tree in a bird

Every so often our feather duster sheds one of its lovely ostrich plumes.

Every home should have one

I’m currently working on the traveller’s blanket and thought, like a womble, waste not want not and all that. A quick trim of the feather and it kind of looks a bit tree-ish doesn’t it?

Trimmed ostrich feather

In ordinary circumstances of course an ostrich is going to need a lot of help if it’s got any hope of getting into a tree, but here in my creative little world where (nearly) all things are possible, here we are:

Ostrich feather tree

Just adding to the story collection really.

Leaves worked with silk and cotton hand-dyed threads on hand-dyed cotton lawn

Doesn’t it just make your heart sing when something like this happens?

Ostrich feather tree with seed-stitched falling leaves

Just looking

The definition of good morning: a cup of hot black coffee, a cloth in progress, and a little collection of fabrics ready for their auditions.

Traveller’s blanket in progress

These are non-competitive auditions because they will all win in the end. I really like just looking at fabrics – although it’s never just looking, is it, because I have to pick them all up and touch them as well. It’s just seeing with hands, I suppose.

Fabrics that say Winter

The Traveller’s Blanket is turning into a short story collection. I’ve found it quite challenging to adopt someone else’s technique while making it look like my own work. Dijanne makes these cloths so beautifully and I didn’t want to produce an imitation. I imagine it’s a bit like doing a cover version of a very well-known song.

It’s a good opportunity to include some treasure, like this silk velvet, eco-dyed by Arlee

Eco-dyed silk velvet with couched silk bourette yarn on tea-dyed silk noil

And this beautiful eco-print from Jane Hunter

Fine silk, eco-printed, with hand stitch.
No straight/square edges happening here.

And then a few vignettes are happening here and there:

Traveller’s blanket, centre. Antique fine lawn cutwork embroidered panel
Hand-dyed vintage cutwork, more eco-prints by Jane Hunter

Now that a few fabrics have been applied, the cloth is stable enough to work on without support from the table. Eventually there will be some kind of quilting or seeding in between the motifs, but I think that point is still some way off. In the meantime it can carry on keeping my knees warm while I stitch in the evenings.

Treading softly

Little stitches, little steps. Some seeding stitches and French knots on this beautiful eco-printed silk from Jane Hunter

Eco printed silk with hand stitch

Trying to find the fine line between trampling over the delicate pattern and using hand stitch to enhance it.

French knot flower heads, seed stitch ghost leaves, and whipped running stitch stems

Treading softly, on tiptoe, through this Monday morning.

Silk panel on tea-dyed silk noil

Traveller’s blanket

I’ve finally made a start on my traveller’s blanket for the last ever class with Dijanne Cevaal. It took a while to think about the right foundation for this quilt, and in the end I decided on a piece of tea-dyed silk noil. Soft but textured, lightweight but warm. The back is hand-dyed silk noil, and the middle layer is brushed cotton (also known as cotton flannel).

A slight stumbling block in the thinking process for this quilt has been that traditionally these quilts have been all about travel and recording experiences, and I’m probably the world’s worst traveller. I’ve never ventured beyond the UK, never been on an aeroplane, and have never had a passport. I don’t even drive. I get seasick just watching boats on TV. What could I possibly have to say about travel?

And then I thought of course we’re all travelling constantly – through time, through life, through experiences. And so my blanket has ended up being about a journey through winter, my favourite season, which will be with us very soon. I’m thinking greys, dark blues, sludgy/grey greens, browns, whites.

I’m starting in the centre with this beautiful piece of antique embroidered cutwork, a mystery object. Does anyone know what this would have been, originally? It seems to be a discrete piece, and doesn’t look as if it’s ever been part of anything else – at first I thought cuff, but it’s not long enough, and there is no evidence of unpicked seams. It’s about 2.25” x 6”. Dressing table mat? Answers on a postcard please.

The beginning. A very pretty start.

I’m using a few fabrics expertly eco-printed by Jane Hunter together with some vintage and antique pieces that I’ve been saving for something special.

Collecting treasures – eco-printed silks by Jane Hunter, fragments from an antique silk christening dress, various vintage cottons and scraps

And in the blue and grey corner:

More eco-prints, new and old silk and cotton

This is going to be really enjoyable, I think.

Laying out and looking

E for Evolution

Evolution: an evolving cloth

I pick this cloth up from time to time, usually when I don’t know what else to do or, in this case, while I’m thinking about how to start some new work. I started this one a couple of years ago, as a kind of map. Then it became a kind of journey.

Then I looked again at the embroidered E in the corner, and renamed it Evolution, since it never seems to know what it wants to be.

E for Evolution. Hand-dyed vintage handkerchief.

It was always intended to be a very lightweight bed cover for those awful hot summer nights when no one can get any sleep. The backing is a large vintage tablecloth, onto which I have randomly layered pieces of hand-dyed lawn, cheesecloth, and muslin – all ultra-lightweight, semi-sheer fabrics to add colour without adding too much warmth. I made it a bit bigger at some point by adding a 10” border of brushed cotton to either end so it’s now about the size of a single duvet.

This is the reason it used to be called ‘Map’

At some point I applied a ragged row of circles across it and then realised they looked a bit heavy. I’ve cut the centres out of the bigger circles and am stitching the edges under to form rings. Better, I think.

From circle to ring

It has a long way to go, and there is no plan. I often think life should come with some kind of handbook so we all know where we’re supposed to be going. I think most of us haven’t a clue what we’re doing here and are making it up as we go along. Some people manage to make it look as if they have everything under control, which can be quite unsettling for the rest of us.

Empty space, ready for the next adventure

I’m guessing this isn’t going to be finished in time for this year’s hottest nights in a month or two, though it is functional in its present form. In an emergency it would do.

In progress