A while ago I became fascinated by samplers, and in particular by the sampler books made by nineteenth-century schoolgirls. These consisted of little samples of various kinds of needlework, like seams, hemming, cross stitch, embroidery, darning, etc, and were pasted into exercise books as a record of the skills they had learned.
In fact I remember making something very similar as a schoolgirl myself. In the olden days, by which I mean the 1970s, in our secondary school boys and girls were separated for some of the lessons. The boys were herded off to do woodwork and technical drawing while the girls did needlework and cookery. We learned to sew using very old cast iron Singer treadle machines, and we stapled samples of flat felled seams and French seams into our exercise books.
I thought it might be an interesting exercise to connect the past and present by making my own version. The example that started this train of thought is in the V and A museum and can be viewed here:

This is a sampler book compiled by Ellen Mahon, when she was a student at Boyle School in Ireland in the early 1850s. It is filled with examples of fine needlework.

I still can’t sew, of course, but I’m thinking about how I might create something similar, and how that might be a good opportunity to sample some varieties of needlework that I wouldn’t normally do. There’s always something to learn, right?
So glad you’re back!
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Thank you so much 😊 Glad you’re here too.
There’s always more to learn, indeed – and not being able to stitch certainly gives you plenty of planning time!
True indeed!
I think of my work, collectively, as a sampler. I might have said that before, I can’t remember much
I really like that thought. I guess everything is part of a whole.