It didn’t take long really to finish this one off. I painted a wooden dowel white, added some yarn to hang it from, made a label for the back and there it is.
A few people have asked for a pattern for this wall hanging. It’s taken some getting round to, but there is now such a thing in my shop here
first page of PDF pattern17-page PDF
Isn’t it a good feeling to have something finished?
I mentioned last week that I struggle to get enough sleep in the summer because of the increased amount of light. It doesn’t get properly dark again until August in this part of the world. Night time in June and July is just perpetual twilight, and I need night to be dark. Prolonged lack of sleep makes me as cranky, irritable, and plain exhausted as anyone else, so I thought I’d try a sleep mask as suggested in a comment. I ended up with this:
padded sleep mask, with depressions for eyes and nose bridge
It was actually quite effective, if a bit weird-looking.
BUT I don’t like it. Textiley people are often very particular about the texture and quality of fabrics, and I just don’t like the feel of this. It’s made from some sort of polyester-neoprene-type stretchy fabric, and the synthetic foam padding on the face side has a very strong smell that washing and airing outside hasn’t eliminated. The strap is also quite cumbersome and the slider clip thing gets stuck in your hair.
So while the principle worked ok, I wondered if I could make something that would be any nicer. I drew round the mask and adjusted the shape slightly, and made a pattern for the padded bit that fits over your eyes. I wanted to make it in a nicer fabric and chose some silk twill in a very dark midnight blue, with silk wadding for the padded bits. Incidentally, this table top ironing board is fabulous – it has little legs that fold out so it stands about 3″ high and the board is about half the size of a normal ironing board – it’s really useful (and no, I’m not on commission or in collaboration with ironing board companies! I found it in the supermarket while doing the weekly food shop. Imagine my excitement).
silk twill, table top ironing board
I used felt as a base on the front and back for stability and structure, and also for blocking out light. Woven fabric will always let some light in through its weave. I figured out a way of attaching the padding – I just stitched it down around all the edges to hold it in place so it didn’t shift around.
face-side sleep mask with silk wadding
When I had the two halves constructed I could attach some elastic (no clips!) to the side edges. I just backstitched up and down the short edge so that the elastic is attached securely.
sleep mask front and back in progress; silk twill, stitched with fine silk threadhalf sleep mask showing clipped edges and elastic ready to be attached
And then it was just a matter of stitching the two sides together, with the elastic in between, which I did just by oversewing with wrong sides together. You could use narrow bias binding for a neater edge, I guess, or you could sew them right sides together and leave an opening to turn through. This way was good enough for me.
oversewing the two halves together
Finally I added a more decorative top stitch in a contrasting thread around the edges. And there, after a couple of hours or so, is a nice silk sleep mask – very lightweight, very comfortable, no plastic or polyester, no weird smell – and it delivered a pretty good night’s sleep too.
silk sleep mask
If you want to make one too, I’ve added a free PDF pattern download here:
I’ve had a few enquiries recently about the templates that I’m using for my 2023 Intuitive Daily Stitching, and I’m in the process of gathering together some grids and motifs into a new PDF.
Windows for March, circles for April
My linen/cotton cloth is too thick to trace directly from a paper template, so I’ve had to find alternative ways to transfer the lines and marks. I usually use a window as a light box, taping template and cloth to the glass while I transfer the shapes with a pen. I also wondered about using this iron-on transfer pen, which I’ve had for a few months and hadn’t got round to trying.
I tried it on this leaf template – (I’m planning to use this one in October – nice idea, yes? – I’m seeing red and gold falling leaves). Unaccountably, I really didn’t expect the pen to work at all. But look! I did a little squeal. I used the pen to trace around the shape on the blank side (the back of the paper template – if you print on thin paper you can just see the print on the other side of the page), placed the drawing over a scrap of linen and touched an iron (on silk setting) to the paper, and hey presto. Instant, and very easy.
Sulky iron-on transfer pen
The pen says it’s permanent, which I’m assuming means it won’t wash off, and that of course means that I will need to cover the lines with a stitched outline. But since I usually do that anyway, that’s no great problem.
Isn’t it great when a gadget works as it should? Tell me what time/labour-saving sewing tool you like to use.
There has not been much textiles work here apart from the stitch journal, which is keeping me sane and centred.
Stitch journal with templates in progress
I am spinning a few plates at the moment, two of which are intangible. I’m continuing to find my way round Procreate, the digital drawing app, and am really getting to like it.
Design for my RedBubble shop, inspired by a 1938 Paul Klee painting ‘Dancing from Fright’
This design takes figures from Paul Klee’s painting ’Dancing from Fright’, which I think is an intriguing title in itself. And slightly funny, though of course there’s nothing funny about being frightened. I like to think these little dancing figures are happy rather than afraid.
I’m also impressed by RedBubble itself – they have photos of what your design will look like on various products. I like this one:
Notebook in my RedBubble shop
I’ve now had my first sales, which is encouraging. Slowly but steadily I’m trying to get myself to the point where I can spend more time focusing on my creative work. Ideally I want to get to a point where I no longer need the day job.
The other intangible product of the week is a PDF file, which can be purchased from my online shop. It contains the monthly templates for my stitch journal, plus some notes about how you can use some very simple stitches to create interesting effects. Special introductory price until 31st July, after which the price will be increased.
PDF available from my online shop, page link in the menu bar
I’ve really enjoyed creating the PDF, and I hope it will encourage others to start something similar. Daily stitching by hand can be mindful and restorative, and allows for time to be still and quiet. And I think we all need a bit of that.