Daily Stitching Templates for 2025

It took some doing, but my templates for next year’s daily stitching will fit together widthways and lengthways, so there’s a fair bit of choice about the format.

2025 daily stitching

You can see I made a sample to see how it might look. Artist’s impression, I guess you might call it. I made some slight tweaks to the template after stitching the sample so this is not exactly the same as what’s in the PDF. The divisions between the daily sections are mostly whipped running stitch but backstitch or couched yarns would be effective too.

sample for 2025

The monthly template has wavy edges that tessellate in all directions, so you can do separate monthly blocks, or join the monthly templates lengthways or widthways to make a long strip, or you could go for a large whole-cloth approach (as I’ve done with the 2024 template) by fitting the monthly templates together as a 3 by 4 block. If you want to make each month as a standalone block and turn it into a cloth book, there are brief directions for that here.

2025 templates

I’m looking forward to starting it. I like the fact that it’s a grid and all the days touch each other, but there are no straight lines. If you want to join me and stitch along, you can find the templates here. I’m going back to the long thin format next year, I think, mainly because I only have a long narrow strip of my vintage linen left. It’s lasted well; I’ve managed to get four years of stitching out of a single sheet. I like the way a long cloth suggests a long period of time, although the speed at which years are passing, a year doesn’t seem that long to me any more.

December 2024 in progress

Incidentally, a few people have got in touch to say they’re using the 2024 template for next year but they’re not sure what to do with February. 2024 was a leap year, so the February page has 29 sections. The easiest way round it is to choose any two daily sections and merge them to make 28. Or you could stitch two sections one day, or redraw some of the dividing lines and adjust it that way. Plenty of scope to get creative with problem-solving.

2025 template

But first, of course, we have the rest of December to enjoy. I’m looking forward to taking some time off once the shop closes for fabric and thread orders tomorrow (the shop will remain open for PDFs, which will continue to be available throughout the holiday period).

December 2024

October

I say it every month but even with the extra hour from putting our clocks back last weekend, time is still flying by so quickly. It’s unstoppable, of course. Time is all we have, and it keeps on rolling. And time is what I’m trying to illustrate here. A map of time, moments in days, days in a life.

October, stitch journal

Today is Samhain, in the traditional pagan calendar the beginning of winter. The days are already short, and the nights are already dark. Some say the veil between the worlds is thinner today.

31st October, whisper-soft greys

I know a lot of people don’t enjoy the dark days and nights, but I’ll take hats and scarves and boots over shorts and sandals any day. There’s a lot to look forward to: cosy evenings with good books, lamps and candles, warm quilts to wrap around chilly knees, hot soup, and (even better) hot chocolate. I sometimes wonder if the season of our birth somehow becomes our favourite time of year. Maybe having a winter birthday means I enjoy this time of year more than summer.

So far there have been falling leaves and blue-grey skies, and more to come.

October, stitch journal, detail

As usual, keeping it simple. Little stitches marking the passage of time.

October stitch journal, detail

I don’t often use backstitch – I find it a bit finicky – but I do like this one, worked in a space-dyed silk perle 8 thread:

October stitch journal, detail, space-dyed silk thread

I like the other side even better. The other side of back-stitch is split stitch:

October, the other side

There isn’t much left of this year:

Stitch journal, looking ahead to November and December

I’m starting to think about next year’s template, of course. I only have enough of this lovely vintage linen for one more year. My remaining piece measures about 5 feet by about 3 feet, and I’m thinking about whether to make another large cloth, this time in a 3 x 4 formation, or whether to cut and join strips of it to make a long cloth.

What I’ve enjoyed most about this year’s template is the variety. I really like the way every day is a different size and shape, as they often are in reality, and the way the days fit so seamlessly together, also as they do in real life.

I’m finding myself repeatedly drawing a kind of wavy grid in my sketchbook work lately, and I’m thinking I might base my new template on something like that. The grid pattern makes me think of an enlarged photo showing the weave of a piece of gauzy fabric, like cheesecloth or scrim.

sketchbook page, detail

It’s very much a work in progress.

the last piece of vintage linen and the beginnings of a plan

At some point I will be ready for 2025, but not just yet.

book cover (3)

Anyone bored with sketchbook covers yet?

Look away now, if the answer is yes 😎

This one is A4 size, and it’s the sketchbook I’m using for the Laura Horn Modern Mixed Media course. So far the course content is quite different in style from what I would normally produce, but there are some interesting techniques that I might be able to adapt into some kind of landscape work. Laura is very, very good at what she does, and she demonstrates the techniques expertly.

The cover for this one is mostly layered sheer fabrics – hand-dyed silk organza, chiffon and nylon tulle, on a plain calico base. I drew some loose scribbly marks and lines on the calico first, which you can just about see under the surface, and then layered the sheers over the top to form a kind of landscape.

sketchbook, front cover

The scrap of poetry on the front cover, held in place under the top layer of nylon chiffon, is from ‘Home Thoughts in Laventie’ by Edward Wyndham Tennant.

The back is a little more simple, but broadly the same technique:

sketchbook back cover

Sheer fabrics are notoriously difficult to photograph, so some of the colours are not quite right here – textiles always look so much better in person, in any case. This detail of the back cover shows some hand-painted builder’s scrim under the top layer of chiffon.

back cover, detail
front cover, detail

As usual, I’ve made a wrap-around slip cover, so the inside covers do double duty as pockets.

inside front cover

The Modern Mixed Media course so far has been quite heavily focused on ‘botanicals’, which I’ve struggled to render on paper without it looking like someone else’s work. The best I’ve been able to do so far is a kind of scribbly variation, which I quite like.

scribbly botanicals, pen and ink/watercolour

I’m not terrifically impressed by the paper in this sketchbook, which is a Fabriano watercolour 200 gsm. The paper has a very prominent texture, which I find distracting. You can see it particularly clearly on this page:

sketchbook page

I’ve taken to collaging the pages before adding any paint, which I’m finding easier to handle.

sketchbook page, collaged with vintage papers

This page is ready for something, though I don’t know what yet. I could easily say the same about myself, most days. Let’s see what the rest of the week brings.

Book cover (1)

I’ve been having a tidy-up in my workroom and trying to round up All the Sketchbooks. Turns out there are a few more than I thought.

some sketchbooks

Some are complete, some are nearly complete, and some are completely empty. I do like a well-dressed sketchbook, so you know what’s going to happen next.

I have a little 6″ square Seawhite sketchbook (140 gsm cartridge paper) where I put paint scraps – leftover paint from another project, not enough for a new thing but too much to pour away. Then I go back in and add marks/other media, with no real plan. However hard I try to keep each sketchbook to a theme, they always end up being a fairly random collection of colours and marks.

6″ mark-making sketchbook

The cover for this one is made from hand-dyed silk organza and dress net, roughly cut into circles and rings, layered onto some plain calico. Then I’ve covered it with very sheer nylon chiffon and stitched some simple lines and marks over the surface to hold it all together. I’m very bad at stitching text so I’ve sandwiched a small piece of handwritten card on the spine between the chiffon and some net.

mark-making sketchbook cover (back)
mark-making sketchbook cover (front, detail)
mark-making sketchbook cover, in progress

If anyone’s interested in the contents, here are a few pages showing how simple it can be:

watercolour and acrylic ink with pen
watercolour with 8B pencil sketch
exploring colour and patterns

I recently got some Roman Szmal watercolours to try, just a starter set of five, and I really like the Caput Mortuum and Aquarius Green:

Roman Szmal caput mortuum and Aquarius green with fine black and white pens

Mostly this book (so far) consists of various rings and circles, hence the design on the cover.

watercolours with walnut ink, marks made with cotton bud (q-tip) and cocktail stick
watercolour with Derwent drawing pencils

There are lots more books needing covers, so there’s more than enough here to keep me busy over the coming months. If you’re in the northern hemisphere, do you have long/ongoing projects planned for the coming winter?

August

Eight months down, four to go. Each month seems to vanish faster than the last.

August, daily stitching

As always, no plan, no design. Just pick up a threaded needle and start stitching.

August, daily stitching

In the traditional Celtic calendar, autumn begins with Lammas on the 1st of August. The weather presenters will have us believe it’s still summer because it’s warm and the sun is shining. But weather is not season, and here in the UK you can see the light changing throughout August, and by the end of the month you can smell and feel autumn as well as see it.

August, daily stitching

I really like the softer muted colours that come with autumn and winter, and I’ll enjoy choosing some of them for the rest of the year.

August and July, looking back

Thread winding is still very much ongoing in preparation for the shop update some time next month, and the advantage for me is that I get to replenish some of my own threads too.

dyer’s perks: new threads

I also like to road-test them to check the quality. I’ve got a couple of new suppliers this time so I need to satisfy myself that the threads are up to it. Very happy so far.

end of August – road-testing new threads

August wouldn’t be complete without a view of the other side. The side we don’t show the world, the side we don’t choose to look at, the side that makes us what we are. Whether we like it or not, it’s there and it’s got nothing to hide. As always, I like some of these marks better from the back. One of these days I will turn the stitch journal over, stitch on the back and let the ‘wrong’ side be on show.

August – the back

We’re having our bathroom renovated next week. I’m kind of dreading the upheaval, the noise, the mess, the dust, etc but very much looking forward to a long soak in a hot bath when it’s all over. I’m not sure how much the disruption will slow down the thread winding, but I’ll do my best to keep up.

July

How quickly the days pass.

July days

There were (and still are) some hot days. Many weather forecasters in this country are jubilant every time the sun is shining as they announce the arrival of more ‘lovely’ weather. They’ve taken to describing 28 degrees (which for this part of the UK is very unusual) as ‘warm’. Only a few years ago the same temperature would have been described as ‘very hot’. There hasn’t been any rain for several weeks, which is also unusual for this part of the UK. I try to stay away from getting too overtly political here but global warming worries me, and I find this normalising of rising temperatures by the mainstream media to be particularly alarming.

July detail

I find myself uncharacteristically short of patience in hot weather; I’m not good at tolerating extreme heat and very bright sunlight. Thank goodness for autumn waiting around the corner and the return of darker nights. I caught the faintest whiff of autumn early yesterday morning, and soon the light will begin to change.

In the meantime of course I keep going, because this is life and there is joy in every day. The joy might not always be immediately visible on the surface, but it’s there nevertheless just waiting to be found.

There was a funeral this month for our friend. A day edged with sadness but filled with happy memories of an amazing woman and a talented artist. We are so lucky to have known her during her long life.

July detail – a day edged with sadness but filled with the joy of remembering

Sometimes if there’s a bit of border yarn left over I curl it around in the corner as you can see below. A kind Instagram reader commented that it looks like a Koru (I had to look it up) which symbolises harmony and eternal movement, and how lovely is that.

The other side isn’t always that neat, but then I think neat can be over-rated.

I’m immersed in the creation of video lessons at present for my new paper-pieced patchwork course. It’s slow going but I think it will be ok in the end, as most things are.

July detail

Papa’s got a brand new pegbag

Sincere apologies to James Brown and Pigbag. Couldn’t resist.

Also apologies for the slightly surreal title and intro there. A week off has done me the world of good, as you can see.

But I genuinely did need a new pegbag. My old one was literally falling apart.

definitely time to replace

I used the old one as a template and made a paper pattern, which turned into paper-pieced patchwork, and then it all went a bit Mondrian:

paper-pieced patchwork a la Mondrian

Completely hand-pieced and hand-stitched, it went together pretty quickly really. It’s lined with medium-weight calico for extra strength and stability.

modern art peg bag

And the back:

give us a twirl, pegbag

I made its mouth a little less gapey than the previous one.

I eat pegs

It’s full of pegs and ready for the next wash day.

primed and loaded

I was even able to salvage some of the lining from the old one. This batik fabric was one of my favourites and I used the last of it many years ago. You can see the difference in colour and quality between the side that’s been exposed to the light and the side that’s been kept in the dark.

sun-dyed batik fabric

Jobs for next week include trying to get my new patchwork course videos recorded. The shop will remain closed while I attend to recording the lessons, and then I’ll try to dye/restock threads probably in September.

Always busy.

A Long Life complete

(content warning – mentions end of life)

I started this over two years ago, and finished it last week.

A Long Life, detail

30,000 straight stitches on vintage silk, taken from various handmade silk lingerie garments, backed with soft brushed cotton. The number of stitches is equal to the number of days in the life of someone who has lived to the age of (just over) 82, which is a reasonably optimistic estimate of average life expectancy in this country. It’s not a memorial of a particular individual; more a general reflection on (or of) human life.

A Long Life, detail

I’ve used hand-dyed silk and cotton threads, mostly equivalent to perle 8 or 12, and changed colour after completing each set of 365 stitches (every four sets I added an extra stitch to account for leap years). There are 532 (and a bit) rows. The whole work measures 6 inches (15cm) wide, and 22.5 feet (6.9m or 271 inches) long.

I counted the stitches and rows as I went along, to keep a running total and to keep track of the beginning and ending of each year block. I didn’t start a new row for each year.

A Long Life notebook – keeping the score

If there were seams, buttonholes, buttons, lace, or rust stains on the silk as I carefully deconstructed the garments, I left them in. That’s life.

buttons and lace
hand-stitched seam
rust stain

I didn’t expect to become so emotionally invested in it. There was a distinct moment of sadness and even a little shock as I placed the last stitch. While a life as long as this is to be celebrated as well as mourned, I couldn’t help but think of all the other, shorter, lives that end too soon.

A Long Life – the end

The briefest moment separates life and death. I can totally understand the Greeks’ idea of the three Fates, and Atropos cutting the thread of life.

A Long Life (from finish to start)

Until that day, of course we go on.

Past and future life

I’m piecing together a new course on patchwork and accidentally found some pictures of past work. Patchwork past work, you might say, if you like tongue twisters.

patchwork suns and moons

I was a bit startled by this one, from around 2009-ish I think. Far too colourful to be me, surely:

Square Dance

I remember the patchwork cave art creature was fun.

silk patchwork animal inspired by cave art

Lots of very tiny squares in this one – about 3/4″ I think.

Today it’s all much quieter, but equally productive. It takes a few weeks to plan and produce an online course, so I hope to have this one ready some time next month.

patchwork in progress

In the meantime I’ll be closing the shop for a couple of weeks from 13th July while I take a short break. My Teachable school will remain accessible if you’re looking for PDF templates or current courses.

patchwork boxes

June

Just like that.

June daily stitching detail

Halfway through the year already. How did that happen?

The aerial map is filling up so quickly.

2024 so far

June days:

June

I really like the way the days are such different shapes on this year’s template. It feels like life. Some days feel longer or wider than others; some days have sharp corners; some days have crossing paths. Some days feel like running just to stand still.

June, detail

Some days were too hot.

June, detail

Every day, as always, just choosing thread and colour, letting stitches fall wherever they land. Marking the passage of time.

June detail

Today we can see the back of June.

the back of June

And tomorrow, July. Between times, the cloth lives in this cover. Part embroidery, part patchwork. If you missed it, you can read about the making of the cover here

daily stitching cover