I made a small sample of embroidery for my 19th-century-style sampler book, based on patterns drawn by 19th-century designer Sarah Bland. You can see more of her designs at the V and A Collections here.
I am no expert embroiderer but I should do more of it because it’s enjoyable and very satisfying. I found that using two colours in one needle gave a nice variegated effect on the daisies (grey with white) and the French knots (red and apricot).
I had a bit of left over hardanger fabric so I did a few random freestyle stitches.
Another sample of needlepoint for my Ellen Mahon style sampler book. This one is taken from a design by Sarah Bland (1810-1905), who created many designs for canvas work and embroidery. You can read a little more about her here, and you can see more of her work at the V and A Collections here.
The great thing about antique canvas work and samplers is that it’s relatively easy to replicate the designs and motifs by zooming in to a photograph and transposing the stitches onto graph paper. I really like this little stylised flower motif:
It isn’t an exact copy, but it’s near enough. I like the idea that women were designing their own work despite the fact that embroidery patterns were commercially available in vast numbers. To me that suggests a recognition of self-worth and individualism, finding a voice through which to express a lived experience. Needle and thread often seems to me more like writing than drawing. Hand stitches in particular are as characteristic as hand writing, whether they depict text, shapes, or abstract patterns and lines.
I worked this one very small as well, like the last one – single strand of DMC cotton thread on 40-count silk gauze: