Thinking sideways, not knowing

I’ve been revisiting my Lines on the Land sketchbook this week. It’s a collection of sketches and designs based on ancient landscape features like standing stones and rock art, just to explore some of the patterns.

Lines on the Land, front cover

I made this sketchbook myself, using signatures of cartridge paper, and then collaged and painted the pages before assembly. I prefer to make my own sketchbooks because I have more control over the size, shape, and proportions. I don’t always like the proportions of standard A4.

I usually cut off part of the page when making a sketchbook if I know I’m going to include fabric or stitched samples, as with this one below which is waiting for me to do something with it:

Deliciously blank sketchbook waiting for an adventure

When I get round to doing something in it, I will be able to attach a stitched sample to the short tab which will form a new page that will be separate from the paper pages.

I didn’t do that with the current sketchbook; there are some pull-out pages, but no partial pages. While trying to figure out a way of sticking stitched samples in it without covering a finished page, I accidentally discovered that you can add pages sideways:

Extra page glued over the top edge of existing pages

You can lift up the stitched sample to reveal the completed page underneath. I like it. Necessity, invention, etc.

Mixed media sketch of Callanish beneath the stitched sample

Of course I made a cover for it. I do like a well-dressed sketchbook.

Front cover, patchwork earthwork
Back cover, patched ragged spiral

I’ve found spaces for some stitched samples I made a while ago:

Mixed media sketchbook page, mini monolith
Mixed media sketchbook page, circles
Textile sample, layered scraps and sheers on painted handmade paper

I don’t always think of a sketchbook as preparatory work for something bigger or better, though it often is that. This may or may not lead to some larger textile work. Part of the adventure is the not knowing, the voyage in the dark, and true of any creative venture I think. Having a go, never knowing whether what you’re making is any good or not. And then realising that it doesn’t really matter, if you’ve enjoyed doing it.

Little collages with drawings added

Author: Karen

Textile and mixed media artist

8 thoughts on “Thinking sideways, not knowing”

  1. this feels ancient … the rocks speaking so slowly over time that we can only hope to guess at what their message might be
    and it’s all beautifully composed, with a pleasing mix of colors, media and textures … brava!

    Liked by 1 person

    1. What fascinates me the most is that the same kinds of patterns appear on rocks and stones all over the world in prehistory. It must be some kind of innate universal mark making, that still speaks to us today.

      Like

    1. Thanks so much Janet. I work three days a week in the office job so I have (part of) weekends plus Monday and Tuesday to do my own thing.

      Like

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