Amid all the thread winding I’m just dropping in to let you know that my recorded interview with the lovely Kate Ward of Making Zen is now available to watch on YouTube here.
It was a joy to chat with Kate about daily stitching, mark-making, time and other things, and I hope you enjoy watching it. Please do give it a thumbs up on Kate’s YouTube channel if you liked it.
In the meantime if you haven’t got your Making Zen ticket yet, you can still get it here. Upgrading to the VIP pass will let you access the workshops two weeks early, from 15th May.
zero-waste stitched samples
The VIP pass gives you full access to all the workshops plus some very generous free gifts from 32 participating artists. For transparency, I am awarded a small commission (at no extra cost to you) when you purchase your ticket from the links on this page, so you will be helping to support my work as an independent artist. Thank you so much.
You know, middle-aged English people rarely get truly excited about anything, but I am genuinely very excited to be taking part in Making Zen this month and I’m looking forward to sharing some of my favourite techniques with you.
I’ve been busy producing this over the last couple of days:
hand-dyed threads and fabrics
It will take me a while to sort and wind the thread, as each skein has to be made by hand on this rather Heath Robinson contraption:
Patent thread winder
It’s basically an upended chair with a yarn swift fixed onto the seat, from which I can unwind a skein from the hank onto a niddy noddy (and the autocorrect wanted to change that to giddy body, which made me laugh). A niddy noddy is a hand-held frame that allows you to wind a set number of yards of thread into a skein. A somewhat ridiculous name, in my view, for a very useful gadget.
In the meantime, the shop is open for the remains of the last batch of threads and fabrics. A few announcements:
The global price of silk and cotton has completely sky rocketed and I have no choice but to increase my prices when the new batch is listed. I’ve managed to keep prices the same for a couple of years now so an increase is probably overdue. The existing threads in the shop are still at the old prices, so last chance to buy at this price.
Silk perle 3, extra-fine silk, and extra-fine cotton will all be discontinued when current stocks have gone. Silk boucle is currently under consideration but if I can no longer buy it at a reasonable price then that may well be up for the chop too. I haven’t dyed any more silk boucle in this batch, so what’s in the shop is all there is for now.
SLLD and SLLU fabric packs will be discontinued when current stocks are exhausted. Commercial fabrics have increased in price as well, and I have to buy the fabrics for these packs at retail prices because I don’t have the means to store wholesale quantities. I’ll continue to offer general fabric scraps packs when I can, and these will probably have broadly similar content to the SLLD packs.
I am sorry that I am currently unable to post items to Northern Ireland or Europe.
fabrics for ironing and sorting into packs
I don’t know how long it will take to get these fabrics and threads processed, but I would estimate they could be ready somewhere towards the end of the month.
Have a wonderful weekend while I attempt to find a way up the thread mountain. The colour-coded tags that you can see in the picture, by the way, are knitting markers and they’re there to tell me what kind of thread it is. It can be hard to tell what’s what when it comes out a different colour but these make it easy to see at a glance.
thread mountain
PS – If you haven’t got your Making Zen ticket yet (you’ll need it if you want to access the free extras from me and 31 amazing artists at the end of May), then you can get it here:
The end of April, and that means a few more stitches for 2025.
April, detail
It’s been a busy month, and next month might be even busier.
the end of April
Mostly, as always, a few stitches with no plan or design. Just choosing a colour, threading a needle and beginning. And isn’t that how most days begin too? We set out as usual, never knowing what will happen next.
April, detail
I’m enjoying the spring palette, in real life as much as here in stitches.
April, detail
It occurred to me recently that in four years of doing this I’ve never yet missed a day. If I did miss a day, I’d leave it blank. The point here isn’t to fill a cloth with stitches, it’s to sit and witness time as it passes out of my life. If I forgot to stitch, or didn’t have time (the irony!) then I feel ‘catching up’ the next day would be kind of missing the point. I would leave a blank space to remind me that on that occasion I didn’t slow down enough to watch those few minutes ebb away.
The other side of time is always worth a look. Knots, loose ends, a scramble of thread, but that’s how it is.
For transparency, if you use this link I receive a small commission (at no extra cost to you), and you will be helping to support my work as an independent artist. Thank you.
Today is shaping up to be quite full. People are writing to me to tell me I haven’t got much thread in the shop. I know, thank you, I’m onto it. The shop will be closed for a couple of days while I attend to this:
threads for dyeing
Dyeing, washing, drying, sorting, winding, labelling, photographing and listing a batch of thread takes about a month, so thread update maybe towards the end of May, if all goes well.
Bright and early on a Monday morning, and here’s the first of my two Big Newses I’ve been waiting to share: I’m delighted to be hosting a workshop on the fabulous Making Zen online stitching retreat, happening from 26th May, and you can get your free ticket here:
Making Zenis much more than just another free event. It’s an opportunity to slow down, tune out the noise, and reconnect with your inner artist. If you’re looking for a quiet pocket of time to make something with those delicious scraps of fabric and threads, then here’s an invitation to somewhere special.
It’s called the Making Zen Online Retreat, and it’s five soul-soothing days (26–30 May 2025) hosted by Kate Ward of Zen Stitching, where 32 (!) makers, artists, and creators share an invitation to slow down, reconnect with your creativity, and rediscover the joy of making with your hands.
You’ll discover:
How to turn your scraps and remnants into stunning art (and peace of mind)
Cultural traditions in art to explore
Why listening to your gut might be the most creative move you make
And I’m delighted to be there too, sharing my session on zero waste stitching.
If you’ve already purchased the course, the Making Zen workshop will still be of value. In addition to the workshops there are free gifts and exclusive extras, plus you get to join over thirty other workshops from some incredible artists including Jody Alexander, Ann Smith, Mirjam Gielen, and many more.
And the best thing about all of this is that – yes! – it’s 100% free to attend. No strings, no catch. Just art, peace, and a community of makers who understand the value of quiet, mindful making.
I’ll look forward to seeing you there, with an open mind and hands full of thread.
For transparency, you will see that this email contains a few links to the Making Zen ticket. These are affiliate links, which means if you later decide to upgrade to the VIP Pass, I’ll receive a small commission (at no extra cost to you) and you’ll be helping to support my work as an independent artist. Thank you so much for signing up – there’s so much to enjoy here.
And PS – for anyone looking for information on pricing (for the VIP pass) here are the prices:
Good news! My new course is about ready, I think. It can be hard to tell when these things are done because you get so immersed in the process of making, videoing, editing (and re-editing) that it can be difficult to be objective about it in the end.
Stitched Samples for Sketchbooks is all about turning your fabric scraps (and other odds and ends) into something beautiful, useful, and inspirational.
I’m probably primarily a textile artist, but I spend a lot of time working (or playing) in mixed media sketchbooks to explore different themes, colour palettes, textures and different ways of stitching. Most of that happens behind the scenes, but it’s essential groundwork for whatever I happen to be working on at any one time.
This course shows you how I go about preparing and adding stitched samples to my sketchbooks.
scraps
By layering your scraps and adding some simple stitching you can create unique little samples that you can add to your sketchbook, or indeed turn into any piece of decorative work.
getting started
There is layering, stitching, painting, sketchbook work, and more.
painting backgrounds
As always, you can watch the preview for free before you commit to anything, and you get lifetime access to all lessons. You can download the videos, watch as many times as you like, and learn at your own pace.
working with layers
I had lots of fun putting this one together, and I’ve made some interesting samples for my own sketchbooks too.
preparing samples
Hope you enjoy it as much as I did!
And stay tuned for some exciting news coming next week…
This week I’m in the scraps box as I start compiling my new forthcoming course on making stitched samples for sketchbooks. New courses take a while to create, but I do enjoy making them.
fabric scraps
However much I take out of the scraps box, it never seems to get any emptier. It always reminds me of the fairy tale about a magic porridge pot that keeps refilling itself. Not complaining, but I do wonder where they all keep coming from.
I like to use lots of layers in my stitched samples. I think of them as transparent layers of time.
stitched samples in progress
The one below is made from scraps of antique and modern lace covered with two layers of very fine tulle, with some textured cotton yarns couched onto the surface.
whites
I’ve also been painting some lovely patterned tulles:
painted tulle
Fibre reactive dyes won’t work on synthetics, but fabric paints do. I use Jacquard Dye-Na-Flow, which are very liquid and behave more like dye than paint. My Stitch a Little Landscape course has a section on painting fabrics this way. You could even use standard watercolours, if you don’t need them to be washable.
At some point it will all come together nicely.
layered stitched scraps ready to become something useful
I don’t pass the time, the time passes me. Every day I watch it go, picking up speed as it hurtles further away.
March 2025
There were daffodils for St David’s Day, and a row of dancing women for International Women’s Day.
March 2025, detail
There was a bouquet for Mother’s Day (here in the UK it’s the fourth Sunday in Lent).
Mother’s Day flowers
There was equal day and night for the Spring Equinox.
March 2025, detail
Some of these days are tutorials on my YouTube channel here.
shamrocks for St Patrick’s Day
Today we have blue skies.
The other side is a reflection of sorts.
the other side of March
Three months gone. A quarter of the year behind us.
First quarter
A reminder that this is the last day for the Early Bird price on my Make a Simple Sketchbook course and my Painted Collage Papers course. Courses are pre-recorded; you get lifetime access; you can download lessons or watch online as often as you like; learn entirely at your own pace.
April is going to be very busy – there is a lot going on, which I will share when I can.
The keen-eyed among you will have spotted a slight error in the April page of the 2025 daily stitching template.
whoops
It looks like I’ve omitted to erase the vertical line that runs between 9 and 10 on the template, circled in red.
I hope the solution is fairly obvious, but you just need to choose either the vertical or the horizontal line that separates 9 and 10. From the positions of the numbers, it looks as if my intention was for the division to be horizontal.
I wouldn’t mind, but I (and another person) checked these templates about a hundred times before publishing them.
I guess this is proof, if it were needed, that (a) I’m human and therefore fallible, and (b) that everything I produce is hand-drawn.
My sincere apologies for the error and for any confusion caused. Easily remedied, I hope.
And I hope the rest of my week – and yours too – passes without further frustrating errors.
There’s lots to explore, from choosing, preparing and painting papers to making your own stamps and stencils, some simple hand-printing techniques, and lots of ideas for using your hand-painted papers.
all this and more
Special early bird price until the end of March, so be quick if you’re interested. You don’t need to enter a code, the special price of ÂŁ30 is already set at the checkout.
simple mark-making
Classes are pre-recorded, so you can learn at your own pace. You can download the videos to watch later, and you get lifetime access – watch as many times as you like. Enrol before the end of March to take advantage of the Early Bird price.
The ornamental cherries are starting to flower here, so today’s daily stitching is a celebration. You can see it in progress, together with written instructions, on my YouTube channel here.
