From the opening page of the Encyclopedia of Needlework by Therese de Dillmont (my copy is undated but it’s the revised and enlarged edition, probably early 20th century):
“Many people, upon opening the Encyclopedia of Needlework, will be disposed to exclaim* as they read the title of this chapter: What is the use of all this information about hand-sewing now that machine-stitching has so nearly superseded work done by hand? We hasten to reply that, among the many accomplishments of women, there is none in which it is of such importance to be thoroughly grounded as in plain sewing properly so called which is, indeed, the foundation of all other needlecraft.”
* what a delightful phrase ‘disposed to exclaim’ is. I shall use it at my next available opportunity.
Plain sewing is what in the nineteenth century was ‘functional’ sewing – the making of clothes and household linens, and mending – before sewing machines were routinely available. The reason for the lengthy quotation from the venerable Mme de Dillmont is that work has begun on my Janet Clare Artisan Apron.
Since having the pattern in my eager little hands I knew I was going to sew the whole thing by hand, just for the challenge and enjoyment of it. I also knew I was going to make two: one clean white one for stitching on, and one colourful messy one to wear while painting and dyeing.
And I’ve been enjoying some plain sewing for a change.
For the plain white version I’m using a cotton/linen blend, cut from an old bed sheet. The lining is a modern lightweight cotton, like lawn but a slightly closer weave.
For the construction I’m using standard white cotton sewing thread (mine happens to be Coats) and for the top stitching I’m working running stitch with a slightly heavier fine cotton. If you’re familiar with the threads that I dye and sell in my shop, it’s the undyed version of the fine cotton thread.
I’m following the instructions carefully and pressing those seams:
I’m at the stage with the white version where I’m currently sewing the apron and lining together:
The second apron, I confess, is more fun. I’m modelling the design on something like this dressing gown, made many years ago. I like the randomness of the colours and patches.
The apron front will be something like this:
And the backs are yet to be assembled from this pile of deliciousness:
After the prolonged complexities of our very stressful house move, plus the non-stop activities of unpacking and decorating, some gentle quiet repetitive sewing is proving to be just the restorative activity I need right now.