Category: teaching

Online course: intuitive daily stitching

Well, here we are. After a good few weeks of hard labour and a very steep learning curve, it’s about as good as it’s going to be, and I think I’m ready to let it out into the world. Thank you for your patience while it was under construction.

The course is all pre-recorded, with no live element – so there’s no rush to sign up and no requirement to be available at set times. You can access the material as often as you want, whenever is convenient for you.

Online course via Teachable

The course is aimed primarily at beginners, so it may be helpful if you’re just starting out with some hand stitching, or some daily stitching. If you’re already stitching quite confidently, there probably won’t be much there that you don’t already know. You can watch the introduction without committing to a purchase, and that will give you an overview of the course content.

You can preview the introduction video here

Briefly, section 1 is about choosing suitable fabrics, needles and threads; section 2 focuses on a selection of easy hand embroidery stitches and various ways in which you can adapt them; and section 3 has some general information on how to approach hand stitching as a mindful, meditative practice.

Teachable landing page
Learn to make something like this

The course is quite informal in style and has me going ‘er’ and ‘um’ a bit, even with a script, but nothing is ever going to be perfect. I’ve tried to present it as if we’re in the same room, learning together.

If you don’t already have a Teachable login, you’ll need to create one (it’s free) in order to access the course.

Here’s a bit of the demonstration sampler that I’ve used to show you the stitches. I finished the sampler after recording the course – I just show you the basics in real time. You should be able to recognise the stitches I’ve added.

The price of the course is in GBP, because I’m in the UK. If you’re not in the UK, you can use any online currency converter to see the equivalent amount for you. The secure online checkout system will automatically convert the price to your local currency.

Please try and remember this converted amount so that you recognise it when it appears on your bank statement later. If you don’t recognise the amount and flag it as fraud with your bank by mistake, that can cause extra work and expense for me. Thank you.

Selection of worksheets accompanying each stitch lesson

And after all that preliminary waffle, you can find the course here

I hope you enjoy it. Let me know what you think.

Vertical learning curve

I feel as if I’ve climbed a mountain today. I’m making a start on this, my first online class for absolute beginners:

Online course for beginners

I’ve learned many things already, one of which is that I’m pretty rubbish at keeping my hands in the frame when taking a video of myself stitching.

Summary

But perseverance is a virtue, so I will keep at it. It will be ok in the end, whenever that turns out to be…

Benefits of hand embroidery

Inventing stitches

If you do a lot of hand stitching, you can’t help inventing new stitch variations occasionally. There are lots of variations on basic stitches, and many ways to combine one basic stitch with another.

Blanket stitch tree with interlaced blanket stitch border

Here’s an interlaced/woven running stitch/blanket stitch combination, which looks best in two colours:

Sound on: Lovely Day, Bill Withers

You need to work a row of running stitch first, keeping the stitch and space between stitches as even as you can. Then you can work a blanket stitch into the gap, using a different colour, and weave through the running stitch to start the next blanket stitch.

Interlaced blanket/running stitch

A simple enough idea, and easy to stitch. It probably needs a better name though, combining blanket and running. Blanning stitch. Runket stitch. Oh dear me, no. Suggestions on a postcard please.

A little loopy

I thought I’d invented a pretty loop stitch the other day, but apparently it already exists.

Interlaced running stitch, discovered by accident

It’s basically pekinese stitch but with the thread looped around running stitches rather than back stitches.

The long cloth in the video and below has been in progress for a while, just somewhere to collect stray stitches and orphan fabric scraps when I remember to catch them.

Home for waifs and strays

Traveller’s blanket

I’ve finally made a start on my traveller’s blanket for the last ever class with Dijanne Cevaal. It took a while to think about the right foundation for this quilt, and in the end I decided on a piece of tea-dyed silk noil. Soft but textured, lightweight but warm. The back is hand-dyed silk noil, and the middle layer is brushed cotton (also known as cotton flannel).

A slight stumbling block in the thinking process for this quilt has been that traditionally these quilts have been all about travel and recording experiences, and I’m probably the world’s worst traveller. I’ve never ventured beyond the UK, never been on an aeroplane, and have never had a passport. I don’t even drive. I get seasick just watching boats on TV. What could I possibly have to say about travel?

And then I thought of course we’re all travelling constantly – through time, through life, through experiences. And so my blanket has ended up being about a journey through winter, my favourite season, which will be with us very soon. I’m thinking greys, dark blues, sludgy/grey greens, browns, whites.

I’m starting in the centre with this beautiful piece of antique embroidered cutwork, a mystery object. Does anyone know what this would have been, originally? It seems to be a discrete piece, and doesn’t look as if it’s ever been part of anything else – at first I thought cuff, but it’s not long enough, and there is no evidence of unpicked seams. It’s about 2.25” x 6”. Dressing table mat? Answers on a postcard please.

The beginning. A very pretty start.

I’m using a few fabrics expertly eco-printed by Jane Hunter together with some vintage and antique pieces that I’ve been saving for something special.

Collecting treasures – eco-printed silks by Jane Hunter, fragments from an antique silk christening dress, various vintage cottons and scraps

And in the blue and grey corner:

More eco-prints, new and old silk and cotton

This is going to be really enjoyable, I think.

Laying out and looking

Heart of Soil sketchbook

Settle down with a cup of tea or something because there are lots of pictures today.

You might recall I enrolled on the Heart of Soil online workshop last month – you can see my earlier post about it here. I collected all the lessons into a little sketchbook, and it’s been a lot of fun to revisit some techniques I haven’t used for a while. I particularly liked the limited colour palette – just blues and yellows – and the pages in the resulting book are nicely coordinated.

Front cover with strip of hand dyed silk wrapped around
Front and back covers
String of Hearts class taught by Tiffany Sharpe
Bluebird of Peace class taught by Megan Quinlan (mine is a blue tit, since I think that’s the closest thing we have to a bluebird in the UK)
Buds class taught by Michelle Schratz

I went a bit off-piste with some of these and added some lines from a vintage poetry anthology to some of the pages, and I added a teabag pocket to this one too. I made a stencil from Tyvek for the background leaf and flower images.

The lines of poetry on the page below are from a Rupert Brooke poem, mixed up to create a found poem.

Pebbles and Peace classes taught by Leaca Young
Paper doll class (I adapted this one a fair bit just to get it on the page) taught by Kim Smith (@slaphappystudios on Instagram) and painted watercolour tubes class taught by Kelly Hoernig (@kellyhoernig.artist on Instagram)
Watercolour wildflower garden class taught by Tracey Wozniak
Watercolour/mixed media backgrounds and mark making class taught by DeeDee Catron
The one-page journal technique, shared by Kiala Givehand (@kialagives on Instagram) and a sunflower for Ukraine taught by Lorraine Bell (@lorraine_bell on Instagram)

Of course the sketchbook itself is based on the one-page sketchbook technique (you fold a single sheet of paper, cut it strategically and fold it into an eight-page booklet) but I thought it would be fun to make a tiny sketchbook to tuck inside the bigger one. The smaller version is made from a sheet of A4 paper; just me enjoying myself, really.

Collaged pages in mini-sketchbook with various marks and papers
Pages from mini-sketchbook, collaged and painted, with lines from a vintage poetry anthology

I thought it might be fun to include a little video run-through but then I noticed the colour of my hands and thought I ought to explain. I did some dyeing this morning and – I do it every time – forgot to put the gloves back on when rinsing. My hands are not normally purple, just in case anyone is worried.

A very happy collection of classes and I enjoyed them immensely. Next up, I’m doing the Traveller Blanket course with the lovely Dijanne Cevaal and am looking forward to that. Next year I hope to be teaching online classes myself, and I’ve figured that the best way to see what works is to sign up for a few myself. And of course there is always something new to learn.

Blue buds

Still having lots of creative fun with paint and paper in the Heart of Soil class – it’s a lovely course and for an excellent cause – there is still time to sign up, which you can do here.

Accidental discovery of the day is that you can very easily make your own stencils from Tyvek. Apparently Tyvek is used for making envelopes in the US but you’re more likely to find it in a DIY shop in the UK – I think it’s used in building/construction and in PPE, but it’s also been used in mixed media art for several years now for its propensity to shrink and bubble when heated. It’s about as thick as copy paper but is much more durable, and very easy to cut with a craft knife.

Simple stencil made from Tyvek, coloured with watercolour paints
Heart shape cut from Tyvek used as a stencil with dry-brushed watercolour paint

This page is based on a technique taught by Michelle Schratz (if you’re an Instagram person you can find her here.)

A6 sketchbook page based on Michelle’s Heart of Soil class

I found a couple of lines of poetry (Rupert Brooke, from a vintage anthology) and used an old teabag as the pocket for the cut-out flowers.

Teabag pocket with flowers cut from sketchily-painted vintage papers

The yellow ribbon, saved from something many years ago, is exactly the right colour, which is proof that you should Keep All Your Collage Supplies For Ever. One of these days I will need a bigger house.

Yellow and blue flowers

I am really enjoying the limited palette and am already thinking way ahead with ideas to try this in various other colours and media. Also it’s immensely enjoyable to make something just for the fun of it, without any pressure for it to turn out ‘right’, whatever that is. Wishing everyone a happy week.

He(art) of Soil

I have given myself too many things to do: no surprises there. I have signed up for three online courses, all running at the same time, while continuing to work three days a week at the desk job. I did know what I was doing, and all of it seemed like a really good idea at the time, and I’m already slightly behind. But then I get lifetime access to all three courses, and you can do them all at your own pace, so there is no rush really.

One of the classes I signed up for is a delightful mixed media watercolour course called He(art) of Soil, organised by Leaca Young (you can find her on Instagram here). It’s very accessible, with ten mixed media artists each contributing a simple project, and there’s still time to sign up if you’re interested – go to Leaca’s website in the link above for more information. All the proceeds go to World Central Kitchen, in aid of the conflict in Ukraine. The projects in this course are based on a very limited palette: just three shades of blue, and three shades of yellow, for the Ukrainian flag. The paints are made from soil and pigment and look really beautiful. You can see more about how they’re made here. I didn’t purchase the paints – it would have been very expensive to have them shipped from the USA to the UK, and I don’t need more watercolour paints, so I’m adapting what I’ve already got. You can see my substitute palette below.

A6 folded sketchbook for The Art of Soil online class

I don’t need much of an excuse to splash some paint around, so I had a very happy hour or so this afternoon painting some collage papers in these colours.

delicious pile of vintage and modern papers painted with acrylics and watercolours

I’m collecting and completing all the lessons in a little folded A6 sketchbook made with three sheets of A3 paper, folded and cut to make a little zine-type booklet. If you’re not familiar with the technique, you can find instructions for making a one-page booklet here. One of the tutorials in this class includes instructions for making this kind of booklet, which will be perfect for keeping everything together.

The projects are very simple and suitable for all abilities, and I guess you could make them as quick or as complicated as you like.

Page based on Tiffany’s Hearts project – find her on Instagram here

It’s really interesting to work with such a limited palette, and surprising to see just how many shades of blue, green, and yellow you can actually make. A lot of the artists remark on the texture of the watercolours that they’re using, describing them as quite gritty. My paints are all very smooth, so I might try using some watercolour texture medium for some of the classes, just to see how it turns out.

Loosely worked page based on Megan’s Bird of Peace tutorial. You can see her work here

Regardless of how long you might have been making art, in whatever medium, I love the fact that there is always something more to learn, something more to practice, and plenty more ways to grow. I really like the fact that this online class supports a great cause, and that the artists have given their time and skills so freely. I’m looking forward to completing more of the classes in this course.

On storing thread

A few people have asked about how I store my embroidery threads, so I thought a brief tour of my collection might be helpful.

I use a wide variety of threads, from very chunky cotton yarns (mostly for couching) to very fine silks, and pretty much everything in between. I will write a post some time about the various weights of thread that you can get and what you can use them for. For now I’m focusing on how to organise thread. This jumble of blue threads doesn’t look very organised, I know. I guess all things are relative.

Blue threads

When I dye threads, I dye them in skeins. They look really pretty in skeins, but I find them difficult to use like that because they very soon get horribly tangled, especially if you keep them all in the same box. I find the only way I can make them useable is to wind them somehow. I went through a phase a while ago of winding threads from skeins into little balls, but these also get tangled quite quickly.

Skeins of thread

I used to use sections of plastic drinking straw for winding threads from skeins after dyeing, which works quite well if you cut a little snip in the ends to anchor the thread before you start winding. The straws were left over from the olden days before we knew how damaging they are, and I figured it was better to use (and re-use) them than to let them end up in landfill.

Drinking straw bobbins

Some of my threads are still on straws, but these days I tend to use little squares of regular 80gsm copy paper, about 3” square, and roll them up.

Squares of copy paper ready to roll

Again you need to snip the end of the paper tube so that the thread has somewhere to anchor itself to stop it unravelling. I find you don’t need to glue the roll of paper; the thread keeps it rolled quite securely.

Purples. That horribly tangled black thing (top left) is coton a broder and needs winding

I find it quite therapeutic to wind threads from skeins onto tubes, but it can take a long time depending on how fine the thread is.

Green threads. Some of these are commercial threads; most are hand-dyed cotton and silk

The only time I use the commercial card bobbins (the kind that you can buy from embroidery shops) is for winding DMC stranded embroidery floss. I don’t like these card bobbins much because when you get to the end of the skein the thread ends up with permanent creases from being wrapped round the flat edges of card. I find there is no other sensible way of storing these though – I can’t see colours clearly enough with them piled up in skeins, and you need to label them in case you need to buy that particular colour again.

DMC stranded embroidery thread

So there’s a little tour through my threads. I know lots of people who use sticks and twigs, and the old-fashioned wooden clothes pegs, to store thread. They look lovely, but I imagine would be bulky in large numbers. So – how do you store your threads? Let me know if you have any good tips.

Needles (2)

Thank you everyone who recommended Tulip and Bohin needles. I tried some, and I like both – on balance I prefer the Bohin, just because they’re more like what I’m used to. I like the little glass test tubes that the Tulip needles come in though.

I started with the Tulip sashiko needle. It’s enormous! It was like sewing with a harpoon. It sews well though and is a good choice for this thick cotton thread.

Tulip sashiko needle on the stitch journal

I also tried the Tulip silk needles, which are meant to be fine enough to glide through silk. I’m afraid it didn’t, really, even after a swipe with the emery. I tried this one on a scrap of fine silk sari ribbon covered with a bit of silk organza, using my finest silk thread (I think it’s Coats fine silk but can’t read the small print on the tiny label. My ageing eyesight frustrates me no end).

I also used a fine hand-dyed silk thread in shades of purple. I used the Tulip silk needle for one half and a Bohin embroidery needle for the other. I don’t think you can tell which is which, but the Bohin was easier to use.

Scraps of fine silk covered with silk organza; running stitch with silk thread using two different types of needle

I guess the moral here is that a good needle is a good needle, whatever that turns out to be for you. It’s useful to try a few different types just to see how they work.

Birdie likes Bohin